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Peter Cole "sings like nobody else in English today" (Richard Sieburth), and Draw Me After is a potent and profound new refrain.
Peter Cole's luminous new book calls us to poetry's lyric root and power: "Wanting song / in the beginning / beginning to end /now we are falling... " In Draw Me After, his sixth collection, and in many ways his freest and most moving to date, Cole evolves a supple, singular music that charts regions of wonder and danger, from Eden as a mythic place of first response and responsibility to sites of psychological, natural, and political catastrophe.
At the heart of the volume lie two remarkable series: one "translates" drawings by the artist Terry Winters into a textured language spun from the material abstractions of Winters's gnomic, celebratory art, the other winds through the book in dreamlike fashion, offering prismatic and often haunting meditations on the letters of the Hebrew alphabet-in kabbalistic tradition, the building blocks of existence. Inventive and receptive, physical, metaphysical, and playful, Cole's poetry disturbs and enchants with what one critic has called "a quiet, streaming power that leads the reader back to it over and over again" (The Bloomsbury Review).
Peter Cole's luminous new book calls us to poetry's lyric root and power: "Wanting song / in the beginning / beginning to end /now we are falling... " In Draw Me After, his sixth collection, and in many ways his freest and most moving to date, Cole evolves a supple, singular music that charts regions of wonder and danger, from Eden as a mythic place of first response and responsibility to sites of psychological, natural, and political catastrophe.
At the heart of the volume lie two remarkable series: one "translates" drawings by the artist Terry Winters into a textured language spun from the material abstractions of Winters's gnomic, celebratory art, the other winds through the book in dreamlike fashion, offering prismatic and often haunting meditations on the letters of the Hebrew alphabet-in kabbalistic tradition, the building blocks of existence. Inventive and receptive, physical, metaphysical, and playful, Cole's poetry disturbs and enchants with what one critic has called "a quiet, streaming power that leads the reader back to it over and over again" (The Bloomsbury Review).
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Reviews
"Peter Cole has been merging the work of poet and translator for nearly half a century, reminding us that writing is always a translation"
of thought, impulse, feeling, memory, image, time . . . Cole's voice is incomparable."
"It is rare for a poet to produce a book as memorable as The Invention of Influence (2014) and then bring forth another title that is just as distinct and remarkable . . . An outstanding collection."
Michael Autrey, Booklist (Starred Review)