EBOOK
About
A bold new interpretation of two northern Renaissance masters
In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.
Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.
An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists-including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.
Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Please note: All images in this ebook are presented in black and white and have been reduced in size. Joseph Leo Koerner is the Victor S. Thomas Professor of the History of Art and Architecture and Senior Fellow of the Society of Fellows at Harvard University. His previous books include The Moment of Self-Portraiture in German Renaissance Art, The Reformation of the Image, and Caspar David Friedrich and the Subject of Landscape. "In this magisterial book, Joseph Koerner explores the role of Bosch and Bruegel in the great early modern shift of the ends of art from theological explanation to time-bound description, from being to picturing. Along the way, he offers a rich account of a newly global culture and a violently contested religious milieu where the status of images was itself an issue of life and death."-Susan Stewart, author of On Longing and The Poet's Freedom: A Notebook on Making
"Bosch and Bruegel is a magnificent book-massively erudite, profoundly human, and sometimes even shatteringly poetic. Koerner is a marvelously compelling writer."-Claudia Swan, Northwestern University
"A tremendous achievement. Koerner is one of the most gifted and intelligent art historians at work anywhere, as well as a remarkably fluent and resourceful stylist capable of presenting extremely subtle and persuasive readings in elegant and simple prose."-Michael Fried, author of The Moment of Caravaggio
"Insightful and encyclopedic. Koerner renders fresh and thought-provoking paintings that have been seen and discussed for centuries."-Keith Moxey, author of Visual Time: The Image in History "Winner of the 2017 PROSE Award in Art History & Criticism, Association of American Publishers" "One of the Evening Standard Best Art Books of 2017 (chosen by David Ekserdijian)" "More gripping than a thriller. . . . A frightening, fascinating study. . . . It is rare, when reading a work of scholarly criticism, to be so gripped as to feel nervous about turning the page. Be warned: there are chapters here more frightening than a
In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.
Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.
An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists-including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.
Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Please note: All images in this ebook are presented in black and white and have been reduced in size. Joseph Leo Koerner is the Victor S. Thomas Professor of the History of Art and Architecture and Senior Fellow of the Society of Fellows at Harvard University. His previous books include The Moment of Self-Portraiture in German Renaissance Art, The Reformation of the Image, and Caspar David Friedrich and the Subject of Landscape. "In this magisterial book, Joseph Koerner explores the role of Bosch and Bruegel in the great early modern shift of the ends of art from theological explanation to time-bound description, from being to picturing. Along the way, he offers a rich account of a newly global culture and a violently contested religious milieu where the status of images was itself an issue of life and death."-Susan Stewart, author of On Longing and The Poet's Freedom: A Notebook on Making
"Bosch and Bruegel is a magnificent book-massively erudite, profoundly human, and sometimes even shatteringly poetic. Koerner is a marvelously compelling writer."-Claudia Swan, Northwestern University
"A tremendous achievement. Koerner is one of the most gifted and intelligent art historians at work anywhere, as well as a remarkably fluent and resourceful stylist capable of presenting extremely subtle and persuasive readings in elegant and simple prose."-Michael Fried, author of The Moment of Caravaggio
"Insightful and encyclopedic. Koerner renders fresh and thought-provoking paintings that have been seen and discussed for centuries."-Keith Moxey, author of Visual Time: The Image in History "Winner of the 2017 PROSE Award in Art History & Criticism, Association of American Publishers" "One of the Evening Standard Best Art Books of 2017 (chosen by David Ekserdijian)" "More gripping than a thriller. . . . A frightening, fascinating study. . . . It is rare, when reading a work of scholarly criticism, to be so gripped as to feel nervous about turning the page. Be warned: there are chapters here more frightening than a
Related Subjects
Extended Details
- SeriesBollingen