EBOOK

A Distant Center

Ha Jin
4
(9)
Pages
80
Year
2018
Language
English

About

In the bold tradition of the "Misty Poets," Ha Jin confronts China's fraught political history while paying tribute to its rich culture and landscape. The poems of A Distant Center speak in a voice that is steady and direct, balancing contemplative longing with sober warnings from a writer who has confronted the traumas of censorship and state violence. With unadorned language and epigrammatic wit, Jin conjures scenes that encompass the personal, historical, romantic, and environmental, interrogating conceptions of foreignness and national identity as they appear and seep into everyday interactions and being. These are poems that offer solace in times of political reaction and uncertainty. Jin's voice is wise, comforting, and imploring; his words are necessary and his lessons are invaluable. Question your place in the world-do not be complacent-look for strength and hope in every nook: "Keep in mind the meaning of / your existence: wherever you land, / your footprints will become milestones."

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Reviews

"Waiting' is impeccably written, in a sober prose that does nothing to call attention to itself and yet capably delivers images, characters, sensations, feelings, and even, in a basically oppressive and static situation, bits of comedy and glimpses of natural beauty. The very modesty of the tone strengthens the reader's belief that this is how private lives were conducted amid the convulsions of t
John Updike, The New Yorker (2007)
"'Despite the distance of an ocean and a continent, he could feel China's pulse,' Ha Jin writes, 'which beat irregularly, racing feverishly, as though he could at last grasp intimately his vast homeland in its entirety.'"
Ron Charles, The Washington Post
"Ha Jin's characters are almost emblematic: they are people beginning in America, creating a new self in a new country. This gives them an importance that can be suggested between the lines, allowing them to be small in their hopes and experiences but large in their implications and political resonance."
Colm Toibin, The New York Times

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