“The Corrections” meets “We Need to Talk About Kevin” in this harrowing multigenerational saga about a family harboring a serial killer in their midst, from playwright Adam Rapp.
It's August in Elmira, a small town in upstate New York, and the year is 1951. While Myra Lee Larkin, newly 13, reads a copy of “The Catcher in the Rye” secretly under the counter of the local diner, a young Micky Mantle approaches her table, chats her up, offers her a ride home. That night, none of her family believed it was really the Yankees outfielder. The matter consumes her until later that evening when the entire town's attention is torn away to the grisly triple homicide that occurs just three doors down from the Larkins on their quiet suburban street.
Wolf at the Table unfolds from there, tracing the epic, multigenerational saga of the Larkin family over the next fifty years. Myra and her five younger siblings fan out across the Eastern United States, and yet violence seems to follow them everywhere. Her middle sisters, Lexy and Fiona, struggle with class and power, while Alec, the youngest and only boy, finds his fate more and more tightly wound to that of a prominent serial killer. Myra lands in Chicago, serving as a prison nurse to death row inmates while trying to raise her young son, Ronan, after his father ends up in a psychiatric hospital.
All the while, Alec descends into ever-darker brushes with violence, and becomes alienated from the rest of the family, sending his mother cryptic postcards full of ominous portent. It is only the threat of a final confrontation that pulls back the curtain on the myth the family tells itself about its successes, its propriety, and its adherence to good Irish Catholic values.
Spanning more than five decades of one family's pursuit of the American dream, “Wolf at the Table” explores our consistent proximity to violence and its effect over time.
