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"Je suis femme maison."
"You are a wifehouse? Oh, a housewife. Je suis une femme au foyer."
"Wow, that actually sounds worse in French. Let's go with je suis mère."
He is drenched in youth, this young man, she thinks. He is soaked in all its possibilities.
Following years of a life lived as a wife and mother, Annie is gifted French lessons with twenty-six-year-old local French tutor, Thierry. As time passes and the lessons progress, she finds herself unexpectedly vulnerable to the charms of a man closer in age to her teenage daughter than to her own. A new life for Annie emerges, one she could never have foreseen . . .
Told over the course of one year through the shifting perspectives of wife, husband, lover, best friend and children, Walger paints a contradictory, nuanced portrait of a woman who walks away from every role that tradition and society have expected of her. SONYA WALGER is an award-winning actress, best known for her role as Penny Widmore on Lost and Molly Cobb in the first three seasons of Apple TV+'s For All Mankind. Other career highlights include the original Broadway production of Frost/Nixon, Parenthood, Tell Me You Love Me, Scandal, Flashforward, and In Treatment. She studied English Literature at Christ Church, Oxford and was the host of the literary podcast, Bookish. Her first book, Lion, a semiautobiographical novel, was published by New York Review Books in February 2025. She lives in Los Angeles, California. A captivating, pin-sharp novel of motherhood and desire, for readers of Miranda July A beautifully written, gripping novel featuring brilliant evocations of motherhood and desire. Perfect for fans of ALL FOURS and THE PAPER PALACE. Sonya Walger is an award-winning actress. She has a strong profile in the US, including on social media, and has hosted her own bookclub podcast, BOOKISH. Wifehouse is Walger's UK debut, following the highly acclaimed publication of Lion in the US, which we publish in 2027. Sonya Walger brings together the quiet outer worlds of her characters and the explosive passions of their inner lives with indelible beauty, richness, and precision. Wifehouse reads like a storm in a soundproof room. I absolutely loved it. What kind of mother would leave her children? This has all the talkability of Miranda July's ALL FOURS as midlife Annie explores a path she might yet take. A magnificent, richly-textured novel. I was enthralled throughout, unable to put it down. It somehow manages to be nuanced while also packing a hefty emotional punch. There is warmth and generosity in Sonya Walger's writing style; lots of sumptuous detail to draw you in. It thrums with energy. This story made me think deeply about all sorts of hopes and expectations that get attached to womanhood, how flimsy a thing fulfilment is, and what choices are truly available to women who crave change. Page by page, it closed around me like a vice. Annie runs from one city to another, then one country to another, watching from the wings as Hector, her actor husband, seems to do exactly as he pleases. She tries desperately to be a loving mother and a supportive wife but to still enjoy a few guilt-free moments just for herself. Wifehouse inexorably sucks the reader into the inequalities of parenthood and the suffocating quest of a woman who thinks she must be everything to everyone else but who ends up meaning nothing to herself
"You are a wifehouse? Oh, a housewife. Je suis une femme au foyer."
"Wow, that actually sounds worse in French. Let's go with je suis mère."
He is drenched in youth, this young man, she thinks. He is soaked in all its possibilities.
Following years of a life lived as a wife and mother, Annie is gifted French lessons with twenty-six-year-old local French tutor, Thierry. As time passes and the lessons progress, she finds herself unexpectedly vulnerable to the charms of a man closer in age to her teenage daughter than to her own. A new life for Annie emerges, one she could never have foreseen . . .
Told over the course of one year through the shifting perspectives of wife, husband, lover, best friend and children, Walger paints a contradictory, nuanced portrait of a woman who walks away from every role that tradition and society have expected of her. SONYA WALGER is an award-winning actress, best known for her role as Penny Widmore on Lost and Molly Cobb in the first three seasons of Apple TV+'s For All Mankind. Other career highlights include the original Broadway production of Frost/Nixon, Parenthood, Tell Me You Love Me, Scandal, Flashforward, and In Treatment. She studied English Literature at Christ Church, Oxford and was the host of the literary podcast, Bookish. Her first book, Lion, a semiautobiographical novel, was published by New York Review Books in February 2025. She lives in Los Angeles, California. A captivating, pin-sharp novel of motherhood and desire, for readers of Miranda July A beautifully written, gripping novel featuring brilliant evocations of motherhood and desire. Perfect for fans of ALL FOURS and THE PAPER PALACE. Sonya Walger is an award-winning actress. She has a strong profile in the US, including on social media, and has hosted her own bookclub podcast, BOOKISH. Wifehouse is Walger's UK debut, following the highly acclaimed publication of Lion in the US, which we publish in 2027. Sonya Walger brings together the quiet outer worlds of her characters and the explosive passions of their inner lives with indelible beauty, richness, and precision. Wifehouse reads like a storm in a soundproof room. I absolutely loved it. What kind of mother would leave her children? This has all the talkability of Miranda July's ALL FOURS as midlife Annie explores a path she might yet take. A magnificent, richly-textured novel. I was enthralled throughout, unable to put it down. It somehow manages to be nuanced while also packing a hefty emotional punch. There is warmth and generosity in Sonya Walger's writing style; lots of sumptuous detail to draw you in. It thrums with energy. This story made me think deeply about all sorts of hopes and expectations that get attached to womanhood, how flimsy a thing fulfilment is, and what choices are truly available to women who crave change. Page by page, it closed around me like a vice. Annie runs from one city to another, then one country to another, watching from the wings as Hector, her actor husband, seems to do exactly as he pleases. She tries desperately to be a loving mother and a supportive wife but to still enjoy a few guilt-free moments just for herself. Wifehouse inexorably sucks the reader into the inequalities of parenthood and the suffocating quest of a woman who thinks she must be everything to everyone else but who ends up meaning nothing to herself