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From Governor General's Literary Awards finalist Maria Mutch comes a startlingly inventive debut collection that recalls the works of Margaret Atwood, Kelly Link, Karen Russell, and Heather O'Neill.
Wolves talk, notes magically appear on a woman's skin, Red Riding Hood concocts a clever escape, a peregrine turns into a woman with strange compulsions, and a winged man believed to be a famous musician is discovered stranded on a beach.
These deliciously dark and evocative stories masterfully navigate the blurry line between perception and reality, revolving around metamorphosis and transformation, the dichotomy of absence and presence, and the place of women in the world-how they fit in or don't and how they disappear and reappear in the strangest of ways...
Punctuated with exquisite antique drawings and photographs by the author, When We Were Birds is an intoxicating feat of storytelling that will surprise and delight-leaving you craving more.
Wolves talk, notes magically appear on a woman's skin, Red Riding Hood concocts a clever escape, a peregrine turns into a woman with strange compulsions, and a winged man believed to be a famous musician is discovered stranded on a beach.
These deliciously dark and evocative stories masterfully navigate the blurry line between perception and reality, revolving around metamorphosis and transformation, the dichotomy of absence and presence, and the place of women in the world-how they fit in or don't and how they disappear and reappear in the strangest of ways...
Punctuated with exquisite antique drawings and photographs by the author, When We Were Birds is an intoxicating feat of storytelling that will surprise and delight-leaving you craving more.
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Reviews
"The presiding spirit of [this] collection is Ovid singing of souls transformed to bodies new and strange. . . . read[s] like fragments of Angela Carter fairy tales."
LITERARY REVIEW OF CANADA
"A wholly original debut collection of short fiction [that] deconstructs and reimagines the short story, in much the same way Anne Carson's work reimagines the possibilities of the poetic form. . . . The collection as a whole is a fierce and often brutal examination of personal transformation, rendered visceral and gorgeous by Mutch's exceeding talent and focus on the body. . . . Mutch channels th
TORONTO STAR