EBOOK
About
From a rising literary star and the author of “How to Be a Good Girl” comes a brilliant, biting, and beautifully wrought memoir of trauma and the cost of survival.
In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, “How to Be a Good Girl”, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it.
In “Trauma Plot”, her long-awaited follow-up, Hood turns her eye to the archetype of the rape survivor, who must perform penitence long after living through the unthinkable. In her trademark blend of memoir and criticism, Hood investigates the lives of art's most infamous women, from Ovid's Philomela and David Lynch's Laura Palmer to Artemisia Gentileschi, the painter who captured Judith's wrath, as well as Hood herself, reckoning with three decades of sexual violence and the wreckage left behind. In so doing, she asks: What do we as a culture demand of survivors? And what do survivors, in turn, owe a world that has abandoned them?
“Trauma Plot” is a scalding work of personal and literary criticism. It is a send-up of our culture's pious disdain for "trauma porn," a dirge for the broken promises of #MeToo, and a paean to life after death.
In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, “How to Be a Good Girl”, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it.
In “Trauma Plot”, her long-awaited follow-up, Hood turns her eye to the archetype of the rape survivor, who must perform penitence long after living through the unthinkable. In her trademark blend of memoir and criticism, Hood investigates the lives of art's most infamous women, from Ovid's Philomela and David Lynch's Laura Palmer to Artemisia Gentileschi, the painter who captured Judith's wrath, as well as Hood herself, reckoning with three decades of sexual violence and the wreckage left behind. In so doing, she asks: What do we as a culture demand of survivors? And what do survivors, in turn, owe a world that has abandoned them?
“Trauma Plot” is a scalding work of personal and literary criticism. It is a send-up of our culture's pious disdain for "trauma porn," a dirge for the broken promises of #MeToo, and a paean to life after death.