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It looked like an ordinary root cellar--And if twelve-year-old Rose hadn't been so unhappy in her new home, where she'd been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn't, she never would have climbed up into another century, the world of the 1860s, and the chaos of Civil War--
Scott Cameron's remarkable illustrations bring the past and a whole cast of delightful characters to life in this magnificent book. Janet Lunn is one of Canada's most respected writers for children. Her books include The Root Cellar, Shadow in Hawthorn Bay, The Hollow Tree, and (with Christopher Moore) The Story of Canada. Her many distinguished awards, national and international, include the Vicky Metcalf Award for Body of Work, two Governor General's Awards, the Canadian Library Association Book of the Year Award and the Canada Council Children's Literature Prize, among others. She passed away in 2017. Rose
It was a cold wet afternoon in October when Rose Larkin came to live in the house at Hawthorn Bay. Rain dripped from the branches of the big horse-chestnut tree in the front yard and hung in large drops from the tangle of bushes around the house. Rose stood in the driveway, where Aunt Stella had left her, feeling that she had never been in a place more dismal in all her life. Its bleakness seemed to echo her own sense of being completely abandoned. In the weeks since the death of her grandmother she had been shipped from relative to relative and finally delivered -- like a package, she thought bitterly -- to an aunt and uncle she had never seen.
Rose was an orphan. Her mother and father had been killed in a car crash when she was three years old, and she had gone to live with her mother's mother in New York City. Her grandmother was a business woman who traveled all over the world. An austere woman, more dutiful than loving, she took Rose with her everywhere she went, which meant that Rose spent as much time in hotels as she did in their apartment on upper Fifth Avenue in New York.
Grandmother did not believe in schools. "They teach only what's fashionable -- and that not very well," she snorted. So every evening, from the day Rose was five, they did lessons together. Every morning Rose had to do homework. Every afternoon she was free to do as she pleased. Wet days she read or explored the hotel. Fine days she poked around shops or went to museums or movies in foreign languages. She often sat for hours in parks, watching people -- old people feeding the birds, shoppers, strollers, mothers or fathers with their children. Rose had never known other children and they fascinated her. She often longed to speak to them, sometimes even to become part of their games, but they frightened her. They were apt to be rough and make loud jokes, and she was afraid she wouldn't know what to say to them. Her grandmother told her more than once that she was better off without them, that she would learn more about being an adult if she associated only with adults.
In consequence she didn't know much about living with people. She and her grandmother were like two polite strangers together. Rose had learned early that when she was quiet and obedient her grandmother was pleasant -- and not so pleasant when she wasn't. The death of her parents had left her with a nagging fear that her grandmother too might disappear if she misbehaved, so she became a stiff, self-possessed child about whom many said she was more like a china doll than a little girl. She didn't look like a china doll. Her bright red hair was pulled tightly into two neat braids. She had a long nose and her face was pointed, which gave her a slightly elfish look and sometimes led strangers to expect mischief or humor until they looked more closely at her set chin, her mouth so firmly shut, and the guarded expression that was too often in her large gray eyes.
Scott Cameron's remarkable illustrations bring the past and a whole cast of delightful characters to life in this magnificent book. Janet Lunn is one of Canada's most respected writers for children. Her books include The Root Cellar, Shadow in Hawthorn Bay, The Hollow Tree, and (with Christopher Moore) The Story of Canada. Her many distinguished awards, national and international, include the Vicky Metcalf Award for Body of Work, two Governor General's Awards, the Canadian Library Association Book of the Year Award and the Canada Council Children's Literature Prize, among others. She passed away in 2017. Rose
It was a cold wet afternoon in October when Rose Larkin came to live in the house at Hawthorn Bay. Rain dripped from the branches of the big horse-chestnut tree in the front yard and hung in large drops from the tangle of bushes around the house. Rose stood in the driveway, where Aunt Stella had left her, feeling that she had never been in a place more dismal in all her life. Its bleakness seemed to echo her own sense of being completely abandoned. In the weeks since the death of her grandmother she had been shipped from relative to relative and finally delivered -- like a package, she thought bitterly -- to an aunt and uncle she had never seen.
Rose was an orphan. Her mother and father had been killed in a car crash when she was three years old, and she had gone to live with her mother's mother in New York City. Her grandmother was a business woman who traveled all over the world. An austere woman, more dutiful than loving, she took Rose with her everywhere she went, which meant that Rose spent as much time in hotels as she did in their apartment on upper Fifth Avenue in New York.
Grandmother did not believe in schools. "They teach only what's fashionable -- and that not very well," she snorted. So every evening, from the day Rose was five, they did lessons together. Every morning Rose had to do homework. Every afternoon she was free to do as she pleased. Wet days she read or explored the hotel. Fine days she poked around shops or went to museums or movies in foreign languages. She often sat for hours in parks, watching people -- old people feeding the birds, shoppers, strollers, mothers or fathers with their children. Rose had never known other children and they fascinated her. She often longed to speak to them, sometimes even to become part of their games, but they frightened her. They were apt to be rough and make loud jokes, and she was afraid she wouldn't know what to say to them. Her grandmother told her more than once that she was better off without them, that she would learn more about being an adult if she associated only with adults.
In consequence she didn't know much about living with people. She and her grandmother were like two polite strangers together. Rose had learned early that when she was quiet and obedient her grandmother was pleasant -- and not so pleasant when she wasn't. The death of her parents had left her with a nagging fear that her grandmother too might disappear if she misbehaved, so she became a stiff, self-possessed child about whom many said she was more like a china doll than a little girl. She didn't look like a china doll. Her bright red hair was pulled tightly into two neat braids. She had a long nose and her face was pointed, which gave her a slightly elfish look and sometimes led strangers to expect mischief or humor until they looked more closely at her set chin, her mouth so firmly shut, and the guarded expression that was too often in her large gray eyes.