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"An enthralling thriller . . . utterly addictive" Sunday Telegraph. A tense psychological thriller with a devastating twist, perfect for fans of BA Paris' Behind Closed Doors and The Girl on the Train.
Sarah is in a coma.
Her memory is gone - she doesn't know how she got there. And she doesn't know how she might get out.
But then she discovers that her injury wasn't an accident. And that the assailant hasn't been caught.
Unable to speak, see or move, Sarah must use every clue that she overhears to piece together her own past.
And work out who it is that keeps coming into her room.
A novel that grips from the very beginning and that will live long in the memory, The Last Thing I Remember is Deborah Bee's startling debut thriller. Deborah Bee studied fashion journalism at Central St Martins in the '80s. She has worked at various magazines and newspapers including Vogue, Cosmopolitan, The Times and the Guardian, as a writer, fashion editor and later as an editor. Currently, she is a director of creative marketing. Just because you can't see them, doesn't mean they can't see you A tense thriller with a clever and original premise - for fans of Rubbernecker and Before I Go To Sleep A clever dual narrative with a perfectly realised teen narrator running alongside Sarah's struggle for answers Covering the ever-timely themes of bullying and domestic violence, this is perfect for reading groups Supported by an integrated digital marketing and PR campaign
Sarah is in a coma.
Her memory is gone - she doesn't know how she got there. And she doesn't know how she might get out.
But then she discovers that her injury wasn't an accident. And that the assailant hasn't been caught.
Unable to speak, see or move, Sarah must use every clue that she overhears to piece together her own past.
And work out who it is that keeps coming into her room.
A novel that grips from the very beginning and that will live long in the memory, The Last Thing I Remember is Deborah Bee's startling debut thriller. Deborah Bee studied fashion journalism at Central St Martins in the '80s. She has worked at various magazines and newspapers including Vogue, Cosmopolitan, The Times and the Guardian, as a writer, fashion editor and later as an editor. Currently, she is a director of creative marketing. Just because you can't see them, doesn't mean they can't see you A tense thriller with a clever and original premise - for fans of Rubbernecker and Before I Go To Sleep A clever dual narrative with a perfectly realised teen narrator running alongside Sarah's struggle for answers Covering the ever-timely themes of bullying and domestic violence, this is perfect for reading groups Supported by an integrated digital marketing and PR campaign