"You'll see how beautiful it is in the morning-jungle all around us," says one of the characters in Anne Raeff's story collection, referring to the way that the jungle that threatens can also provide solace. The jungle in these stories is both metaphorical and real, taking the reader from war-torn Europe to Bolivia and from suburban New Jersey to Vietnam. Raeff examines how war and violence, like the jungle, seep into our lives, even when we are no longer in danger and long after the war is over.
While struggling with fear, danger, and displacement, the characters of The Jungle around Us form strange and powerful bonds in distant and unlikely places. A family that has escaped Vienna ends up on the edge of the Amazon, where the parents fight yellow fever and the daughter falls in love with a village boy. Two sisters learn lessons about race and war during the Columbia University riots of1968. A young girl confronts death when her former babysitter is mysteriously murdered. In Paraguay, two adult sisters confront their loneliness while their precocious young charge faces off with a monkey. Raeff's stories are about embracing the world though the world contains everything we fear.
"The Jungle Around Us unspools more conventionally, with clean, digestible prose and stories that ambush the reader, stealthy in their impact. It follows numerous characters, primarily women (with a few men scattered throughout), and finds literal and metaphorical jungles in places as disparate as New York City and Mexico. . . . The unruly spaces in which these stories are set are a direct reflect
Linnie Greene, The Millions
"Stark stories in which the bleak and the beautiful are tethered by tender, tenuous strings . . . The collection of seven stories and one novella effectively walks a tightrope between dark and light, the bleak and the bright . . . Crouse is gifted at crafting scenes that resonate in multiple ways. In the worlds he creates, nothing is black and white. Like the sound of metal on bone, Crouse's stori
Jonathan Fullmer, Booklist
"This ability to fit unfortunate truth and acknowledgment of privilege in one line is typical of Raeff's work. Her stories emerge from what is clearly a socially conscious place, but it is never spoon-fed to readers. These are truly good stories, full of emotion and energy. Her style is uniform, quietly lush, with a distance between narration and story where atmosphere lives. . . . Raeff's [storie
