EBOOK
About
A debut poetry collection of great depth and originality
Appropriately for a book haunted by music, Katherine Towers' poems exhibit an almost pianistic sense of timing, touch and tone. In The Floating Man, Towers writes about weight and weightlessness, presence and absence, the body in space, and our oblique relationship with the natural world; she is expert at registering the huge emotional shifts effected by the smallest things, whether the scent of apples, the slant of the light, or the grace-notes of memory.
Katharine Towers was born in London in 1961 and read Modern Languages at St. Hilda's College, Oxford. She has an MA in Writing from Newcastle University. Her pamphlet Slow Time was published by Mews Press in 2005 and her poems have appeared in publications including Mslexia and The North. She lives in the Peak District with her husband and two daughters.
Appropriately for a book haunted by music, Katherine Towers' poems exhibit an almost pianistic sense of timing, touch and tone. In The Floating Man, Towers writes about weight and weightlessness, presence and absence, the body in space, and our oblique relationship with the natural world; she is expert at registering the huge emotional shifts effected by the smallest things, whether the scent of apples, the slant of the light, or the grace-notes of memory.
Katharine Towers was born in London in 1961 and read Modern Languages at St. Hilda's College, Oxford. She has an MA in Writing from Newcastle University. Her pamphlet Slow Time was published by Mews Press in 2005 and her poems have appeared in publications including Mslexia and The North. She lives in the Peak District with her husband and two daughters.