More than half a century after his death, Soviet filmmaker Aleksandr Rou remains a cinematic icon across Russia and other countries of the former Soviet Union and Eastern Europe. Dubbed 'King of the Fairy Tales' and 'The Main Storyteller of the Country', Rou revolutionized Soviet fantasy and fairy-tale cinema during a remarkable directorial career spanning from 1938 to 1972.
Deftly navigating the shifting ideological landscapes of the Stalin, Khrushchev and Brezhnev eras, Rou created an idiosyncratic succession of weird, witty and wonderful films that celebrated and perpetuated the nation's folkloric traditions while constantly refreshing them for new generations of appreciative young audiences. In English-speaking countries, by contrast, Rou's films remain relatively little known. With streaming platforms now increasing their accessibility to western viewers, this book provides a timely introduction to his unique and exhilarating blend of mirth and magic.
'This book takes us on a journey through the fairy-tale films of Alexander Rou, one of the Soviet Union's most prolific and inventive filmmakers of the genre. Deborah Allison's always engaging and enjoyable writing provides the cultural and technical contexts as she reveals the features that make up Rou's personal style, whilst also highlighting the narratives, actors and special effects in Rou's work. To put it in fairy-tale language: this is a beautifully woven carpet, whose intricate pattern emerges as we read and takes us on a flight into Rou's fairy-tale world.'
–Birgit Beumers, Professor emerita in Film Studies, Aberystwyth University
"'[Allison] arranges her coverage of Rou's work by political period and carefully shows how each group of films responded to the demands of the time. Thus, this book will be useful not only to those who wish to know more about this little known, but very important, filmmaker and his contribution to Soviet cinema, but also to those interested in politics and how they impacted the Soviet artistic wo
Natalie Kononenko, Studies in Russian and Soviet Cinema
