The dead don't lie.But sometimes, the living do it for them.When struggling journalist Claire Mallory inherits her late father's crumbling farmhouse, she expects dust, debts, and disappointment - not a stack of unlabeled cassette tapes hidden in a locked trunk.Each tape holds a confession.Each confession speaks of a murder.At first, Claire thinks the voices are relics of unsolved crimes, harmless to anyone but the long-forgotten dead. But then a new body turns up - posed exactly like one of the old cases described on the tapes - and the past claws violently into the present.As Claire races to connect the decades-old recordings to the chilling murders happening now, she realizes two terrifying truths:Someone wants the tapes back.And someone else will do anything to make sure she never hears the last one.Haunting, twisty, and impossible to put down, The Confession Tapes is a standalone suspense thriller perfect for fans of Gillian Flynn, Riley Sager, and readers who love true crime with a deadly twist.Sometimes the past doesn't stay buried.Sometimes it calls you back - one tape at a time. Morgan Ash writes unsettling, atmospheric thrillers that peel back the layers of human darkness to reveal what festers beneath. Her debut novel, The Confession Tapes, introduced readers to her signature blend of psychological suspense and haunting revelations, as one woman inherited a crumbling farmhouse-and a collection of tapes revealing a killer's chilling confessions.Her newest release, Gravel Hollow, delves deeper into Appalachia's hidden histories, where an outsider's search for solace unearths secrets that the mountains have guarded for centuries, secrets soaked in blood, betrayal, and ancient debts.Morgan's next novel, Gravel Hollow, continues her exploration of the sinister undercurrents that flow beneath quiet rural towns, promising readers an even darker journey into folklore, legacy, and horror.When not writing, Morgan can be found researching regional folklore, exploring abandoned places, and drinking black coffee strong enough to wake the dead.
