In The Blue Den, people travel along the edges of roads, landscapes and emotions. The poems give voice to a stream under ice, a flooded road, and an ant beneath the sky. Strongly visual and imaginative, these poems explore the edges of memory, the mutual dependency of man and nature. Stephanie Norgate's second collection celebrates the power of intense looking and making, whether meditating on refugees in an oarless boat or Giacometti working restlessly at the figure of a strange walker. These poems inhabit marginal, unsung and free experiences: plastic bags along a road or the return of children over a lake. The underside resonates with strange vivid beauty.
