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A lush, lyrical debut from a vibrant new poetic voice
A sparrow like a "fumbled punch line" is lost in an airport; a man translating Ovid is transfigured by witnessing a massacre in Jamestown in 1621; a woman smiles seductively as the skin on her back is opened out like a wing; a lizard upon a laptop shimmers with the true life, primitive and binary, of our modern information age.
In the sonically rich, formally restless poems of this debut collection, Song & Error, the thread that unravels all we think we know of the world is plucked loose and drawn from a seal's beached corpse. Uniting past and present, history and autobiography, Averill Curdy's poems strive to endure within "the crease of transformation" and to speak-sing-of that terrible beauty.
A sparrow like a "fumbled punch line" is lost in an airport; a man translating Ovid is transfigured by witnessing a massacre in Jamestown in 1621; a woman smiles seductively as the skin on her back is opened out like a wing; a lizard upon a laptop shimmers with the true life, primitive and binary, of our modern information age.
In the sonically rich, formally restless poems of this debut collection, Song & Error, the thread that unravels all we think we know of the world is plucked loose and drawn from a seal's beached corpse. Uniting past and present, history and autobiography, Averill Curdy's poems strive to endure within "the crease of transformation" and to speak-sing-of that terrible beauty.
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Reviews
"Song & Error is a worthy debut collection that rewards multiple readings. It's a rich mixture of poems that revel in their language and ideas, their combination of real and imagined, of present day and history, that, while sometimes dense, sometimes obscure, sometimes confounding, nevertheless present enough striking images, precisely fashioned phrases and intriguing words to fully stock a wunder
Adam Ford, Bookslut
"Throughout this long-awaited debut, Curdy constructs a realistic surface of her inner life, whereby daily perceptions--mediated through her immersion in art and aesthetics, apocrypha, historical facts, classical literature, and Americana--merge into a careful sounding of human redemption and grace . . . Curdy's intellect is engaging enough that she never betrays her gift through ornamental preten
Major Jackson, The New York Times Book Review
"Curdy is a poet in the highest order. Her musicality finds its counterparts in Auden, Donne, Hopkins, and Merrill, to whom she seems to have apprenticed her syntax and ear. But there is something else in her writing that is entirely her own, an almost excessive pleasure in texture and alliteration that has been unfashionable in poetry of late. Curdy's precisely conjured images and similes transfo
Maya Catherine Popa, The Rumpus