We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups...But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted?
Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity, the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism, never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
"Looking back over the last 25 years you'd be hard pressed to name a music journalist more adept at tracking and defining the zeitgeist."
Dave Haslam, The Guardian
"Simon Reynolds, one of our most thoughtful music writers, poses a stark question for anyone who cares about the future of pop . . . A devastating critique of the way music is now consumed."
