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Sometimes lies are safer than the truth
When her mother is knocked down and killed by a London bus, fifteen-year-old Melon Fouraki is left with no family worth mentioning. Her mother, Maria, never did introduce Melon to a 'living, breathing' father. The indomitable Auntie Aphrodite, meanwhile, is hundreds of miles away on a farm in Crete, and is unlikely to be jumping on a plane and coming to East Finchley anytime soon. But at least Melon has 'The Story'. 'The Story' is the Fourakis family fairytale. A story is something. RED INK is a powerful coming-of-age tale about superstition, denial and family myth. The tube train clatters into the station, shouting down the silence and whipping my hair across my face. The current of air makes the boys' fringes do the Mexican wave. They're rooted to the spot, looking at their feet. The doors stop right in front of me and the doors nearest to the boys will take them onto the same carriage. I expect them to move along to another bit of the train, but that would mean acknowledging that they've seen me. Too embarrassing.
The doors open. We all get on to an empty carriage.
"Mind the gap."
That's where I am right now, in the gap. Please mind the gap between the death of your mother and the edge of normal.
The doors close. I sit down. Only when the train hiccups into life do I dare check where they are. They're on the seats by the glass panel at the end of the carriage. They're looking at me now, but they're not saying anything. I'm in the middle of the train, another two glass panels of protection away. I won't need it though. They're not going to do the thing with my name. I can feel the pity oozing off them, although they're grudging about it at the same time. Mum dying has spoiled their game. Murray gives me a soppy look, Dylan nods. It feels like being patted on the head by an old relative. The train clangs into the dark of the tunnel. This is the weirdest thing to say but, I actually preferred it when the boys took the piss. Julie Mayhew is the author of Red Ink (shortlisted for the 2014 Branford Boase Award), The Big Lie (winner of the 2016 Sidewise Award for Alternate History) and the critically acclaimed Mother Tongue. She also writes for the stage and for film, and has been twice nominated for Best Original Drama at the BBC Audio Drama Awards for her radio plays -including a 2016 recognition for the The Electrical Venus, the drama on which this book is based. Julie grew up in Peterborough and originally trained as a journalist, then as an actress, before turning to writing because she couldn't find enough brilliant roles for girls.
www.juliemayhew.co.uk
Twitter: @juliemayhew
Instagram: JulieMayhew Sometimes lies are safer than the truth Dark, blackly funny and searing, Julie Mayhew is a stunning new voice for the YA market A sophisticated teenage novel with real crossover appeal Author is an experienced radio playwright and her most recent Radio 4 play was nominated for Best Audio Drama at the 2012 BBC Audio Drama Awards Julie will be available for events and is based in Hertfordshire Reviews and features in teen and young women's press and online Although Red Ink is billed as a coming-of-age tale, it would be a pity for older readers to dismiss it. There are so many nuances and such precise observations that Red Ink transcends categorisation. I loved it... This is a brilliantly observed story of grief, sacrifice and redemption - and the unbreakable bond between mothers and daughters Red Ink is heart-breaking and ultimately uplifting. This is a wonderful book about the damage that lies and myths can ultimately do to a family and how the truth, though harsh, really can set you free. This beautifully-written coming-of-age story is at once heartbreaking, and full of robust humour and hopefulness. Shot through with black comedy, and with a fantastically frank and funny narrator in Melon, this challenging and uncompromising young adult novel interrogates family
When her mother is knocked down and killed by a London bus, fifteen-year-old Melon Fouraki is left with no family worth mentioning. Her mother, Maria, never did introduce Melon to a 'living, breathing' father. The indomitable Auntie Aphrodite, meanwhile, is hundreds of miles away on a farm in Crete, and is unlikely to be jumping on a plane and coming to East Finchley anytime soon. But at least Melon has 'The Story'. 'The Story' is the Fourakis family fairytale. A story is something. RED INK is a powerful coming-of-age tale about superstition, denial and family myth. The tube train clatters into the station, shouting down the silence and whipping my hair across my face. The current of air makes the boys' fringes do the Mexican wave. They're rooted to the spot, looking at their feet. The doors stop right in front of me and the doors nearest to the boys will take them onto the same carriage. I expect them to move along to another bit of the train, but that would mean acknowledging that they've seen me. Too embarrassing.
The doors open. We all get on to an empty carriage.
"Mind the gap."
That's where I am right now, in the gap. Please mind the gap between the death of your mother and the edge of normal.
The doors close. I sit down. Only when the train hiccups into life do I dare check where they are. They're on the seats by the glass panel at the end of the carriage. They're looking at me now, but they're not saying anything. I'm in the middle of the train, another two glass panels of protection away. I won't need it though. They're not going to do the thing with my name. I can feel the pity oozing off them, although they're grudging about it at the same time. Mum dying has spoiled their game. Murray gives me a soppy look, Dylan nods. It feels like being patted on the head by an old relative. The train clangs into the dark of the tunnel. This is the weirdest thing to say but, I actually preferred it when the boys took the piss. Julie Mayhew is the author of Red Ink (shortlisted for the 2014 Branford Boase Award), The Big Lie (winner of the 2016 Sidewise Award for Alternate History) and the critically acclaimed Mother Tongue. She also writes for the stage and for film, and has been twice nominated for Best Original Drama at the BBC Audio Drama Awards for her radio plays -including a 2016 recognition for the The Electrical Venus, the drama on which this book is based. Julie grew up in Peterborough and originally trained as a journalist, then as an actress, before turning to writing because she couldn't find enough brilliant roles for girls.
www.juliemayhew.co.uk
Twitter: @juliemayhew
Instagram: JulieMayhew Sometimes lies are safer than the truth Dark, blackly funny and searing, Julie Mayhew is a stunning new voice for the YA market A sophisticated teenage novel with real crossover appeal Author is an experienced radio playwright and her most recent Radio 4 play was nominated for Best Audio Drama at the 2012 BBC Audio Drama Awards Julie will be available for events and is based in Hertfordshire Reviews and features in teen and young women's press and online Although Red Ink is billed as a coming-of-age tale, it would be a pity for older readers to dismiss it. There are so many nuances and such precise observations that Red Ink transcends categorisation. I loved it... This is a brilliantly observed story of grief, sacrifice and redemption - and the unbreakable bond between mothers and daughters Red Ink is heart-breaking and ultimately uplifting. This is a wonderful book about the damage that lies and myths can ultimately do to a family and how the truth, though harsh, really can set you free. This beautifully-written coming-of-age story is at once heartbreaking, and full of robust humour and hopefulness. Shot through with black comedy, and with a fantastically frank and funny narrator in Melon, this challenging and uncompromising young adult novel interrogates family