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About
Tommo has just moved to a prestigious boarding school. A product of the middle class, and with new-found independence thrust upon him, he finds himself invited into fading crumbling country houses.
It's the early nineties and the elite he is now surrounded by is struggling for relevance. Alienated from the mainstream, and running low on inherited wealth, his peers have retreated into snobbery and fatalism. Initially awed by their poise and seduced by their hedonism, Tommo gradually becomes aware of sinister undercurrents and a suppressed rage that threatens to explode into violence.
In this world, half-remembered traditions mix with decadence and an awful lot of small dead animals. And sometimes, not just animals. When Tommo's friend Johnnie's brother is found dead, a shotgun at his feet, he realises there are secrets that everyone knows, but no one speaks about, or even acknowledges. And those secrets can no longer be hidden.
'Keeps the outrageous laughs and twists coming in equal measure' – Alexander Larman, The Observer
It's the early nineties and the elite he is now surrounded by is struggling for relevance. Alienated from the mainstream, and running low on inherited wealth, his peers have retreated into snobbery and fatalism. Initially awed by their poise and seduced by their hedonism, Tommo gradually becomes aware of sinister undercurrents and a suppressed rage that threatens to explode into violence.
In this world, half-remembered traditions mix with decadence and an awful lot of small dead animals. And sometimes, not just animals. When Tommo's friend Johnnie's brother is found dead, a shotgun at his feet, he realises there are secrets that everyone knows, but no one speaks about, or even acknowledges. And those secrets can no longer be hidden.
'Keeps the outrageous laughs and twists coming in equal measure' – Alexander Larman, The Observer
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Reviews
"'Sometimes sad, often funny coming-of-age story... a fine novel. It is moving, as novels of time lost and time recovered always are'"
The Scotsman
"'There is a lovely turn of phrase on every page...Combining Adrian Mole, Withnail and Iain Banks by way of Kingsley Amis, engaging, buffered by a nice line in self-deprecation'"
The Arts Desk