In the last year of the twentieth century, Odile is a lovely twenty-three-year-old art-school dropout, a minor vandal, and a hopeless dreamer. Jack is a twenty-five-year-old shirker who's most happy capturing the endless noises of the city on his out-of-date tape recorder. Together they decide to start their own art movement, in defiance of a contemporary culture made dull by both the tedious and the obvious. Set just before the end of one world and the beginning of another, this is the story of two people trying to capture a moment in the face of an uncertain future.
"An off-kilter romance doubles as an art movement in Joe Meno's novel. The novel reads as a parody of art-school types...and as a tribute to their devil-may-care spirit. Meno impressively captures post-adolescent female angst and insecurity. Fresh and funny, the images also encapsulate the mortification, confusion and excitement that define so many 20-something existences."
The New York Times Book Review
"Wonderful storytelling panache . . . Odile is a brash, moody, likable young woman navigating the obstacles of caddish boyfriends and lousy jobs, embarking on the sort of sentimental journey that literary heroines have been making since Fanny Burney's Evelina in the 1770s. Tenderhearted Jack is the awkward, quiet sort that the women in Jane Austen's novels overlook until book's end. He is obsessed
The Wall Street Journal
"Meno's tender, hip, funny, and imaginative portrayal of two Chicago misfits . . . dramatizes that anguished and awkward passage between legal age and actual adulthood."
