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I am a sick person. I am a spiteful person. An unattractive person, too...
In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet in Dostoyevsky's most radical and disturbing character, there is the uncomfortable flicker of recognition of the human condition.
When the narrator ventures above ground, he attends a dinner with a group of old school friends. It is here, paralysed by his own social awkwardness, that he carries out extraordinary acts and cements his status as a true and original outsider.
In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet in Dostoyevsky's most radical and disturbing character, there is the uncomfortable flicker of recognition of the human condition.
When the narrator ventures above ground, he attends a dinner with a group of old school friends. It is here, paralysed by his own social awkwardness, that he carries out extraordinary acts and cements his status as a true and original outsider.
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Reviews
"Notes from Underground, with its mood of intellectual irony and alienation, can be seen as the first modern novel... That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka to Beckett and beyond - starts in Dostoyevsky's work"
Malcolm Bradbury
"An author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul . . . [Notes from Underground is] an awe- and terror-inspiring example of this sympathy"
Thomas Mann