Skip to main content
  • Hoopla logo
  • Browse
  • My Hoopla
  • Log In
Books, videos, and music - all free from your public library!
LoginSign Up

Footer

Hoopla logo, Go to homepage
  • For Patrons
  • For Libraries (opens in new window)
  • For Vendors (opens in new window)
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)

Our Company

  • Our Story
  • Get Hoopla for your Library (opens in new window)
  • Get your content on hoopla (opens in new window)
  • Join our team (opens in new window)
  • Accessibility Statement

Our Content

  • Audiobooks
  • Ebooks
  • Movies
  • Television
  • Comics
  • BingePasses
  • Music
  • The Loop Blog

Help

  • Help Center
  • Submit Feedback
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)
  • Download on the App Store (opens in new window)
  • Get it on Google Play (opens in new window)
  • Available at Amazon Appstore (opens in new window)
© 2026 Midwest Tape, LLC. All rights reserved. Privacy Policy | Terms of Use
  1. Navigate Home
  2. Ebooks
  3. No Stool Pigeon

EBOOK

No Stool Pigeon

Haycene Ryan
(0)
sign up
Pages
139
Year
2009
Language
English
Publisher
Xlibris US

About

Here in one place as suggested by my friend Helena who worked at the Cultural Office after she had read the five pieces, for the benefit of persons beyond the confines of the geographical space occupied by the island, and for those who would otherwise not have been exposed to the thoughts expressed, or would have had to carry out the laborious search through the Montserrat.
Reporters archives in order to revisit any of the pieces but for the last which has not previously appeared in print, are the socio, economic, and political analyses as documented under various pseudonyms by Haycene Ryan over the period 1991-2008. Where pen names were used, it was done, not out of fear, but on the premise that, as so often occurs in small societies, some persons would not bother to read a piece because of their negative perception of the authors capabilities or motive while, others accept the ideas without question due to their association with the individual with neither group employing any measure of critical thinking whatsoever. The articles were all written with the future of Montserrat and its inhabitants in mind and not to promote any individual or political party ideology.

Related Subjects

  • General
  • Political Science
  • Adult Nonfiction

Artists

Haycene RyanAuthor