From the Poet Laureate of the United Kingdom, a poem sequence that considers our use of the land that surrounds him, and recounts the personal tales of beauty and loss that play out on it
In the poet's home county of West Yorkshire a few years ago, the Local Authority began converting a series of cow fields at the top of the road into a new cemetery. These poems, in regular, cascading tercets, sparked into being as Simon daily walked the site, with moorlands rising beyond it and the wind turbines of Brontë country to the north, watching the land tamed: eventually the muddy construction scene gives way to fresh headstones and mown lawns, and, during the Covid-19 lockdown, the spectacle of grave-diggers in Hazmat suits and socially distanced funeral services.
These terse, sharply observed lyrics-each fancifully named for a species of moth, a creature whose numbers the poet sees dwindling across a lifetime of night walks-remind us to turn a cool eye on the doings of man, and yet to embrace all we love while we still can, as "Time, what else," stands "propped in a corner / like a cricket bat." SIMON ARMITAGE was born in West Yorkshire and is Professor of Poetry at the University of Leeds. A recipient of numerous prizes and awards, his collections of poetry include Seeing Stars, The Unaccompanied, and his acclaimed translation of Sir Gawain and the Green Knight. He writes extensively for television and radio and is the author of two novels and three nonfiction bestsellers; his theater works include The Last Days of Troy, performed at Shakespeare's Globe in 2014. From 2015 to 2019, he served as Professor of Poetry at the University of Oxford, and, in 2018, he was awarded the Queen's Gold Medal for Poetry. Simon Armitage is Poet Laureate of the United Kingdom.
