In the south of Bosnia and Herzegovina lies Mostar, a medieval town on the banks of the emerald Neretva, which flows from the "valley of sugared trees" through sunny hills to reach the Adriatic Sea. This idyllic locale is where Maya Ombasic's life begins, but when civil war breaks out in Yugoslavia and the bombs begin to fall. Her family is exiled to Switzerland, and after a failed attempt to return, they leave again for Canada. While Maya adapts to their uprootings, her father never recovers from the trauma, refusing even to learn the language of his new country.
Mostarghia, a portmanteau of "Mostar" and "nostalgia", centers around Ombasic's often explosive relationship with her father, who was both influence and psychological burden: he inspired her interest, and eventual career, in philosophy, and she was his translator, his support, his obsession. Along with this portrait of a larger-than-life man described by turns as passionate, endearing, maddening, and suffocating, Ombasic deftly constructs a moving personal account of what it means to be a refugee and how a generation learns to thrive despite its parents' struggles.
"Intimate, a filial cri de cœur...The book is run through with dark humour, and some of the most fatalistic scenes are also wryly funny...The condition of nostalgia is both dissociative and cleaving, and it is this tension that Ombasic most adeptly conveys."
Montreal Review of Books
"Strikes a great balance between the ebb and flow between unemotional observations that provide context for the lasting divides in the Balkans, and a humanization of the victims of conflict....[Ombasic writes] with a tender care that evokes a sadness mixed with levity, anger mixed with love."
The Walleye
"After her father dies, Ombasic seeks to resolve all that was unresolved between them in life. Her memoir ripples with the tension of these two great hearts each trying to shoulder an outsized burden... Subtly and with lyricism, Ombasic unpacks her father's role in her history alongside the role of their hometown, Mostar, not to mention the Balkans, religion, communism, war, displacement, and nost
