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Y: The Last Man meets The Girl With All the Gifts in Gretchen Felker-Martin's Manhunt, this fast-paced body horror that examines a post-apocalyptic world through the lens of trans women and men trying to survive.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren't safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics-all while outrunning packs of feral men, and their own demons.
A timely, powerful response to every gender-based apocalypse story that failed to consider the existence of transgender and non-binary people, Manhunt is full of body horror, desire, and a grotesque spectrum of pain.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren't safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics-all while outrunning packs of feral men, and their own demons.
A timely, powerful response to every gender-based apocalypse story that failed to consider the existence of transgender and non-binary people, Manhunt is full of body horror, desire, and a grotesque spectrum of pain.
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Reviews
"Manhunt is sublime horror - gory, impeccably written, a condemnation and a celebration with a cast of incredibly flawed, deeply interesting characters.... By far the best book I've read this year. You should read it and share it with all your friends and enemies."
Roxane Gay
"A filthy, furious delight; within its tense, gruesome premise live roundly human characters, with big, unwieldy emotions. It's a shockingly tender exploration of genders and bodies, of violence as a part of nature, of the way love is a tool of survival."
The New Yorker