EBOOK
About
Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet's progress in the creation of his body of work, considering its development, composition, and reception.
Drawing on little-known sources and nuanced readings of Stevens' texts, Lensing expands the customary view of the poet's creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens' work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem "Sea Surface Full of Clouds"-viewing it alongside his wife Elsie's journal describing the sea voyage that inspired the poem-and an extensive, multiperspective treatment of the widely anthologized "The Idea of Order at Key West," as well as a careful excavation of the poem "Mozart, 1935" in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens' work received from poets and critics in Great Britain and Ireland.
Stemming from decades of research and writing, Making the Poem: Stevens' Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.
Drawing on little-known sources and nuanced readings of Stevens' texts, Lensing expands the customary view of the poet's creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens' work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem "Sea Surface Full of Clouds"-viewing it alongside his wife Elsie's journal describing the sea voyage that inspired the poem-and an extensive, multiperspective treatment of the widely anthologized "The Idea of Order at Key West," as well as a careful excavation of the poem "Mozart, 1935" in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens' work received from poets and critics in Great Britain and Ireland.
Stemming from decades of research and writing, Making the Poem: Stevens' Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.
Related Subjects
Reviews
"No one has published more on Wallace Stevens than George Lensing, nor with more balance, insight, and precision. This latest work, Lensing's own 'parts of a world,' gathers five separate approaches that reverberate to shed light on the whole of Stevens' poetry. Against the facile charges of Stevens' aestheticism and isolation, Lensing compellingly demonstrates Stevens' value within a social and p
John N. Serio, editor of The Cambridge Companion to Wallace Stevens
"Ranging in topics from prosody to politics, from supple close reading to matters of reception, reputation, and literary history, Making the Poem is an absorbing, admirably lucid, and important book. Lensing's analysis of Stevens' war poetry in particular is the most nuanced and sensitive I have ever encountered."
Lee Jenkins, author of Wallace Stevens: Rage for Order
"Among longstanding experts of Wallace Stevens, only George Lensing knows how to devise an attractive new format and argument for every book he writes. Making the Poem takes us through Stevens' sources of inspiration, textual details that reward close scrutiny, the poems' political contexts, their unique musicality, and Stevens' influence on later poets. Presented with flair and lucidity, Lensing'
Bart Eeckhout, editor of The Wallace Stevens Journal