A powerful expressionist drama from the 1920s about the dependent status of women in an increasingly mechanised society, based on the true story of Ruth Snyder. Sophie Treadwell was a campaigning journalist in America between the wars. Among her assignments was the sensational murder involving Snyder, who with her lover, Judd Gray, had murdered her husband and gone to the electric chair. 'This is a play written in anger. In the dead wasteland of male society - it seems to ask - isn't it necessary for certain women, at least, to resort to murder?' - Nicholas Wright With an introduction by Judith E. Barlow. 'gripping... doesn't loosen its hold on the senses until its shattering climax' Independent 'stingingly fresh and provocative' Time Out New York '[a work of] rare and disturbing beauty' New York Times
"'Astonishing... a sort of infernal anxiety machine, percussive and remorseless, each hallucinatory scene immaculately crafted with its own distinct mood... the story feels sacred, mythological, foundational - a tale of one woman standing up to the system turned into a pulverising rapture'"
Time Out (2024)
"'A mind-bending, inexorable helter skelter into hell, surreal as a nightmare yet terrifyingly real'"
The Stage (2024)
"'Gripping... doesn't loosen its hold on the senses until its shattering climax'"
