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In the tradition of such classics as My Ántonia and There Will Be Blood, Anna Keesey's Little Century is a resonant and moving debut novel by a writer of confident gifts.
Orphaned after the death of her mother, eighteen-year-old Esther Chambers heads west in search of her only living relative. In the lawless frontier town of Century, Oregon, she's met by her distant cousin, a laconic cattle rancher named Ferris Pickett. Pick leads her to a tiny cabin by a small lake called Half-a-Mind, and there she begins her new life as a homesteader. If she can hold out for five years, the land will join Pick's already impressive spread.
But Esther discovers that this town on the edge of civilization is in the midst of a range war. There's plenty of land, but somehow it is not enough for the ranchers-it's cattle against sheep, with water at a premium. In this charged climate, small incidents of violence swiftly escalate, and Esther finds her sympathies divided between her cousin and a sheepherder named Ben Cruff, a sworn enemy of the cattle ranchers. As her feelings for Ben and for her land grow, she begins to see she can't be loyal to both.
Little Century maps our country's cutthroat legacy of dispossession and greed, even as it celebrates the ecstatic visions of what America could become.
Orphaned after the death of her mother, eighteen-year-old Esther Chambers heads west in search of her only living relative. In the lawless frontier town of Century, Oregon, she's met by her distant cousin, a laconic cattle rancher named Ferris Pickett. Pick leads her to a tiny cabin by a small lake called Half-a-Mind, and there she begins her new life as a homesteader. If she can hold out for five years, the land will join Pick's already impressive spread.
But Esther discovers that this town on the edge of civilization is in the midst of a range war. There's plenty of land, but somehow it is not enough for the ranchers-it's cattle against sheep, with water at a premium. In this charged climate, small incidents of violence swiftly escalate, and Esther finds her sympathies divided between her cousin and a sheepherder named Ben Cruff, a sworn enemy of the cattle ranchers. As her feelings for Ben and for her land grow, she begins to see she can't be loyal to both.
Little Century maps our country's cutthroat legacy of dispossession and greed, even as it celebrates the ecstatic visions of what America could become.
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Reviews
"Little Century . . . is rendered vividly through fluid and restrained prose, solid plotting and a keen eye for detail . . . Keesey, a graduate of the Iowa Writers' Workshop, treads [her] territory competently, imbuing her characters with palpable motives, rich contradictions and fully realized pasts. She also stays atop the rising action of the story, upping the stakes for her characters and the town of Century as she herds us efficiently toward the conclusion. At the same time, she knows not to hurry readers along without letting them soak up the atmosphere. The real star of the novel is Oregon's high desert, a vast, quiet plain Keesey captures in many of its dynamic moods, in language ranging from the plainspoken to the elegant . . . [Keesey's] language serves the story admirably, rarely crossing the line into the self-conscious, the sentimental or the flashy. In short, Keesey is a sentence writer in control of her craft. She's a storyteller who stays out of her own way."
Jonathan Evison, The New York Times Book Review
"Ambitious . . . Accomplished . . . [Keesey's] words are clear as lake water . . . [The] plot works easily and well, but the real joys of the book are the set pieces showing town life and Esther's almost unnoticed passage into womanhood. There's a church dance, effortlessly drawn, and a couple of sermons, boring and portentous, and scenes of Esther learning to ride and plant and plow, and a perfect little scene of Esther and a friend helping a little girl jump rope . . . 'Tender' is a word Keesey uses again and again to describe her characters. She mothers them, cares about them like children, wants to protect them from the hell they have been so intent upon making. She persuades the reader to cherish them, as well."
Carolyn See, The Washington Post
"[A] briskly romantic, nontraditional Western . . . It's Willa Cather with a sense of humor . . . Keesey portrays her men and women as deeply flawed but so achingly vulnerable that it is impossible not to identify with them."
Liza Nelson, O: The Oprah Magazine