Invisible Men

This is a chapter from Alex Ross's groundbreaking history of twentieth-century classical music, 'The Rest is Noise'. Further extracts are available as digital shorts, accompanying the London Southbank festival program. Tracing the development of the American avant-garde, Ross examines the crucial influence of African-American musicians on the classical establishment, the dawn of the Jazz age, and the forging of a new and uniquely American classical idiom. Now a major festival running throughout 2013 at London's Southbank, ‘The Rest is Noise’ is an intricate commentary not just on the sounds that defined the century, but on art's troublesome dance with politics, social and cultural change.