Instructions for a Flood is a non-fiction account, in the form of personal essays and vignettes, of a life in the central interior and coastal regions of British Columbia. Inspired by her passion for exploration and a desire to reframe her understanding of the areas in which she grew up, Adrienne Fitzpatrick embarks upon a decade of reflection and personal reconciliation within her own community and the broader landscape she inhabits. Though she is accompanied by fellow travellers, workmates and guides on these journeys, Fitzpatrick is drawn to the isolation of these areas and the resilience and community this isolation necessitates. In these encounters, the stories of the people and places meld, connected to the land and to other communities by great bodies of water and remote lakes and streams. Like the water that connects and imprints upon the land, there are glints of light and beauty, as well as deep, dark places of danger to be uncovered here. Instructions for a Flood serves as a cartographic study of the strong pull of nature in places where the past is ever present, inscribing upon the land like a network of arteries and instilling in us a guidebook for being.
"In this spare, powerful book, Adrienne Fitzpatrick writes with eloquence and raw honesty about the land that defines her. Taking us to the rivers and lakes that are an integral part of her personal history, she shows us the power and metaphor of water-its lurking dangers, how it gives and takes life, what it carries when it floods, what it leaves behind. In stories about her formative years in the 'rough beauty' of central and northern BC, and later working with First Nations on the contentious issues of extractive industry, she reveals how humans-and water-have impacted these territories and their ancient cultures."
-Maria Coffey, author of Where the Mountain Casts its Shadow Adrienne Fitzpatrick grew up in the north and returned to complete her Masters in English at the University of Northern British Columbia; her creative thesis won the John Harris Prize for the best in Northern Fiction. Her fiction and poetry have appeared in Prairie Fire, CV2, subTerrain, The New Quarterly and Thimbleberry. Her art reviews have appeared in Border Crossings, C magazine and Canadian Art and book reviews in the BC Review. She explores the phenomenological experience of place in her work and her first book, The Earth Remembers Everything, is based on her experiences travelling to massacre sites in Europe, Asia, the Central Interior and Northwest Coast of BC; it was also short-listed for the 2014 George Ryga Award for Social Awareness in Literature.
