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Impeccably Dressed

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Impeccably Dressed

How Costume in Pepe-le-Moko Constructs Jean Gabin as Object of the Erotic Gaze

Amanda J. FieldSeries: Short Takes Film Studies

(0)

Pages

29

Year

2015

Language

English

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About

Does Laura Mulvey's theory, that only women can be the object of the erotic gaze in cinema, still hold true if films that lie beyond mainstream Hollywood are examined? Through close analysis of the 1937 French film Pépé-le-Moko, this paper examines those aspects of the filmmakers' craft which influence the direction of the gaze - such as costume, cinematography/lighting, use of the body, and star persona. It demonstrates the way the film helped build on the Jean Gabin 'myth' through a fetishisation of his clothes and body.

Related Subjects

Film & Video
Art
Adult Nonfiction
French
European
Literary Criticism
History & Criticism
Film
Performing Arts

Extended Details

SeriesShort Takes Film Studies #3

Artists

Amanda J. FieldAuthor