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About
In 1600s Amsterdam, two women-a painter and her assistant-defy the norms of their time as they take on the male-dominated art world and fall in love-from "fantastic prose writer" (Vulture) and "true master" (Guernica), Victoria Redel.
"I loved it in a way that is no doubt different than other books I have loved. The period and touches on time, sexual politics, art, history, class, women's rights and the significance of Amsterdam and all the details the author shares of this particularly rich period kept me thoroughly engaged and is a brilliant backdrop to Gerta and Maria's story." -Sarah Jessica Parker, SJP Lit
At seven years old, Gerta's hair is lopped off and she's sent to work for the Oosterwijcks under the name Pieter because it's a boy they need. As Pieter, she splits wood, minds the hens and rabbits, scrubs the wooden floors of the house, and tends the garden-all while the family's teenage daughter, Maria, looks on, sketching Pieter's every movement. A few years later at the dinner table Maria lays Gerta's deception open alongside a demand that Gerta accompany her to Utrecht, where Maria will apprentice in the workshop of a famous painter.
In Utrecht, Maria learns to paint skilled still lives-though she is the only woman in her workshop and because of her gender will never be accepted into the painters' guild. As Maria ascends to great heights of skill and fame, the relationship between maid and employer deepens and shifts, and it becomes clear that Gerta, too, possesses abilities far beyond what society expects.
Inspired by the little that is known about Maria van Oosterwijck's actual life, I Am You is a love story, a meditation on gender-the ways it binds and frees us-and an ode to artistic creation. As beautifully wrought as Oosterwijck's paintings themselves: delicate, blazing in color, and at times enveloped in shadow, Victoria Redel's new novel brings to life the copious spoils of Amsterdam's Golden Age, and the perils that lay hidden within them for women like Maria and Gerta. Victoria Redel has written four books of poetry, most recently Paradise; her last novel, Before Everything, was published in 2017. Her short stories, poetry and essays have appeared in Granta, the New York Times, the Los Angeles Times, Bomb, One Story, Salmagundi, O, and NOON among many others. She has received fellowships from the Guggenheim Foundation, The National Endowment for the Arts and the Fine Arts Work Center. She is a professor in the graduate and undergraduate creative writing programs at Sarah Lawrence College and lives in New York City.
"I loved it in a way that is no doubt different than other books I have loved. The period and touches on time, sexual politics, art, history, class, women's rights and the significance of Amsterdam and all the details the author shares of this particularly rich period kept me thoroughly engaged and is a brilliant backdrop to Gerta and Maria's story." -Sarah Jessica Parker, SJP Lit
At seven years old, Gerta's hair is lopped off and she's sent to work for the Oosterwijcks under the name Pieter because it's a boy they need. As Pieter, she splits wood, minds the hens and rabbits, scrubs the wooden floors of the house, and tends the garden-all while the family's teenage daughter, Maria, looks on, sketching Pieter's every movement. A few years later at the dinner table Maria lays Gerta's deception open alongside a demand that Gerta accompany her to Utrecht, where Maria will apprentice in the workshop of a famous painter.
In Utrecht, Maria learns to paint skilled still lives-though she is the only woman in her workshop and because of her gender will never be accepted into the painters' guild. As Maria ascends to great heights of skill and fame, the relationship between maid and employer deepens and shifts, and it becomes clear that Gerta, too, possesses abilities far beyond what society expects.
Inspired by the little that is known about Maria van Oosterwijck's actual life, I Am You is a love story, a meditation on gender-the ways it binds and frees us-and an ode to artistic creation. As beautifully wrought as Oosterwijck's paintings themselves: delicate, blazing in color, and at times enveloped in shadow, Victoria Redel's new novel brings to life the copious spoils of Amsterdam's Golden Age, and the perils that lay hidden within them for women like Maria and Gerta. Victoria Redel has written four books of poetry, most recently Paradise; her last novel, Before Everything, was published in 2017. Her short stories, poetry and essays have appeared in Granta, the New York Times, the Los Angeles Times, Bomb, One Story, Salmagundi, O, and NOON among many others. She has received fellowships from the Guggenheim Foundation, The National Endowment for the Arts and the Fine Arts Work Center. She is a professor in the graduate and undergraduate creative writing programs at Sarah Lawrence College and lives in New York City.