SINGERS, musicians of all kinds, are notoriously bad mannered. The storms of the Titan, Beethoven, the petty malevolences of Richard Wagner, the weak sulkiness of Chopin (Chopin in displeasure was appalling," writes George Sand, "and as with me he always controlled himself it was as if he might die of suffocation") have all been recalled in their proper places in biographies and in fiction; but no attempt has been made heretofore, so far as I am aware, to lump similar anecdotes together under the somewhat castigating title I have chosen to head this article."-Introduction
Carl Van Vechten (B.A., University of Chicago, 1903) was a photographer, music-dance critic, novelist, and patron of the Harlem Renaissance who served as literary executor for Gertrude Stein.
Van Vechten was among the most influential literary figures of the 1910s and 1920s. He began his career in journalism as a reporter, then in 1906 joined The New York Times as assistant music critic and later worked as its Paris correspondent. His early reviews are collected in Interpreters and Interpretations (1917 and 1920) and Excavations: A Book of Advocacies (1926). His first novel, Peter Whiffle (1922), a first-person account of the salon and bohemian culture of New York and Paris and clearly drawn from Van Vechten's own experiences, and was immensely popular.
In the 1930s, Van Vechten turned from fiction to photography. His photographs are in collections at the Museum of Modern Art in New York and elsewhere. An important literary patron, he established the James Weldon Johnson Collection of Negro Arts and Letters at Yale.
