A gunman agrees to do a rich man’s dirty work in this classic Western from one of the genre’s early masters
Donnegan is not proud of his past. But when words ran dry and matters could only be settled with a gun, he never hesitated to make things right. Now fate has led him to The Corner, a wide-open gold-mining town in the valley where two rivers join. An invalid by the name of Colonel Macon wants Donnegan to settle a long-standing land claim that’s been taken over by outlaws. Charmed by the colonel’s beautiful daughter, the gunman agrees. But nothing is as it seems in The Corner, where the line separating good from evil is so badly blurred it might not be there at all.
A contemporary of Zane Grey and a major influence on Louis L’Amour, Max Brand was a true master of the Western. Gunman’s Reckoning is a fine example of the moral complexity, fluid prose, and nonstop action that defines the best of his work.
