Good for Nothing

You know the story of the generous tree-the one that gave everything until nothing remained.This is not that story.In a post-scarcity world where no one needs to be useful anymore, a grandfather sits with his infant granddaughter and begins to tell stories. Not heroic ones. Not productive ones. But stories of people who lived at the edges of usefulness:James, who spent his life watching boats and called it witnessing.Audrey, who built intricate, purposeless machines and refused to explain them.Ernest, who dismantled every belief about choice and freedom.Brandon, who lived with complete attention and no residue.Through these lives, a philosophy emerges-not as theory, but as lived contradiction. Is uselessness freedom? Or just another story we tell ourselves?Running alongside these stories is another, quieter one: a daughter who grew up under a father who never pushed, never planned-only watched. A father who chose to stay. A mother who chose to leave. And the unresolved question of what those choices meant.As past and present intertwine, the novel becomes an act of witnessing itself-an exploration of attention, love, regret, and the subtle arithmetic of a life.Good for Nothing is a contemplative literary novel about the meaning of usefulness in a world that no longer requires it, and about the quiet, unanswerable question at the center of every life:What is this for? Eyal Avissar is an independent writer from Israel. Art of War: The Game is his literary exploration of strategy, chaos, and reflection through simulated battle.