In the North Arm of British Columbia's Fraser River lies an uninhabited island. Guarded by water from the city of New Westminster's bustling industrial and shipping district, Poplar Island is lush and unspoken, but storied. It is the traditional territory of the Qayqayt peoples. Made into property, a parcel of land belonging to the "New Westminster and Brownsville Indians," it is the location of one of British Columbia's first Indian Reserves.
Polar Island is a landscape marred by colonization, where Indigenous smallpox victims from the south coast were forced into quarantine, substandard care, and burial. Once their peoples were decimated and the land taken, wrangled and exchanged between levels of government the trees were clear-cut for industry, including shipbuilding during the First World War and booming anchorage for local sawmills. From the Poplars is the poetic outcome of archival research and of keeping an ear to the ground—of listening to the stories of an earth scoured by colonization, inequality, and extraction. It is a meditation on an unmarked, twenty-seven and a half acres of land held as government property: a monument to colonial plunder on the waterfront of a city built upon erasures.
From an emplaced poet and resident of New Westminster, this text contributes to present narratives on decolonization. It is an honouring of river and riparian density, and a witness to resilience. It tempers a silence that inevitably will be heard.
