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A sweeping, multi-generational saga that traces the fractured bonds between three Iraqi-British sisters
In the summer of 2014, three estranged sisters are drawn back into each other's orbits through the discovery of their late father's lost paintings.
As Mediha, Zainab, and Ishtar lay claim to his legacy-an inheritance laced with exile, betrayal, and an Iraq they no longer recognise-Zainab's son Nizar, a war correspondent haunted by his time on the front lines, returns to the family fold. As summer bleeds into autumn and the truth about the paintings unfurls, the family is forced to confront the personal and political betrayals that tore them apart.
Spanning continents and decades, Floodlines grapples with grief and memory, and charts the emotional and political aftershocks of a century of war and revolution in Iraq and beyond. Inspired by the artistic legacy of Haddad's great uncle, the Iraqi modernist painter Jewad Selim, Floodlines explores family, queerness, and the wounds of (neo)colonialism in haunting, visceral prose.
In the summer of 2014, three estranged sisters are drawn back into each other's orbits through the discovery of their late father's lost paintings.
As Mediha, Zainab, and Ishtar lay claim to his legacy-an inheritance laced with exile, betrayal, and an Iraq they no longer recognise-Zainab's son Nizar, a war correspondent haunted by his time on the front lines, returns to the family fold. As summer bleeds into autumn and the truth about the paintings unfurls, the family is forced to confront the personal and political betrayals that tore them apart.
Spanning continents and decades, Floodlines grapples with grief and memory, and charts the emotional and political aftershocks of a century of war and revolution in Iraq and beyond. Inspired by the artistic legacy of Haddad's great uncle, the Iraqi modernist painter Jewad Selim, Floodlines explores family, queerness, and the wounds of (neo)colonialism in haunting, visceral prose.
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Reviews
"FLOODLINES is a haunting, incandescent novel. With fierce tenderness and astonishing power, Haddad confirms himself as one of our most vital storyteller."
Seth Insua, author of Human, Animal
"A sophisticated exploration of inheritance, identity, and the politics of intimacy."
Peter Scalpello, author of Limbic
"Haddad's writing is a searing meditation on hope. FLOODLINES is beautifully crafted, and breathtaking in scope and reach. It is a book that mourns Iraq and all the senseless violence its people and lands have been subjected to, while celebrating its art, richness, and commitment to life."
Tareq Baconi, author of Fire In Every Direction