The after-death stories of Franz Joseph Haydn, Ludwig Beethoven, Swedenborg, Sir Thomas Browne and many others have never before been told in such detail and vividness. Fully illustrated with some surprising images, this is a fascinating and authoritative history of ideas carried along on the guilty pleasures of an anthology of real-after-life gothic tales. Beginning dramatically with the opening of Haydn's grave in October 1820, cranioklepty takes us on an extraordinary history of a peculiar kind of obsession. The desire to own the skulls of the famous, for study, for sale, for public (and private) display, seems to be instinctual and irresistible in some people. The rise of phrenology at the beginning of the 19th century only fed that fascination with the belief that genius leaves its mark on the very shape of the head.
"Dickey spins these stories with a storytellers grace and a historians exactitude. Cranioklepty will join those books for popular audiences that delve into the origins of eccentric intellectual lore, whether madness and lexicography (see: The Professor and the Madman) or inventions and visions by depressives, maniacs, and malcontents. Human endeavor is forever inclined to oddity, and with this boo
The Brooklyn Rail
"If only we could skip the textbooks and share something that's all kinds of real world creepy and awesome like Colin Dickey's Cranioklepty....It's a very strange story, the kind of science history that all too often gets left off the cultural map. Teens will eat this stuff up, however, and if they happen to be fans of author Paul Collins, then they're really going to feel lucky."
