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A rollicking work of lyricism and humor, about one family's tumble into the unknown, from the Pulitzer Prize finalist and bestselling author of North Woods
Miles Krzelewski is a devoted husband, a doting father beloved for his outlandish bedtime stories, and the proud owner of a truffle-hunting dog in a land with no truffles. He is also a bit lost, twelve years late with his PhD on Russian folktales, and increasingly haunted by a sense that he's become a disappointment to his family. So when his wife Kate accepts a visiting professorship at a prestigious college in the far away forests of Vermont, he decides that this will be his year to finally move forward with his life.
But Miles is a man of many enthusiasms, one who possesses, in Kate's words, "a great capacity to fall in with anyone, anywhere." And no sooner does he arrive than he finds himself entangled with a cast of characters as colorful as any of his folktales, from a ghostly tree surgeon to a scythe-mad biochemist, a Shakespearean temptress and a photographer of snowflakes obsessed with chronicling, on thousands of index cards, the world's delusions in a "Inventory of Wrong Ideas."
The new friends, the enchanted woods, the histories: sure, no PhD, but all good fun. Until Miles stumbles upon a bizarre-perhaps ridiculous- local legend, which, he soon suspects, might not be just a legend after all.
Joyous, absurd, and life-affirming, Country People is a luminous exploration of marriage and parenthood, the nature of belief and the power of stories, and the ways in which we find connection in an increasingly fragmented world. Daniel Mason is a physician and author of The Piano Tuner (2002), A Far Country (2007), The Winter Soldier (2018), A Registry of My Passage Upon the Earth (2020)--a finalist for the Pulitzer Prize-- and North Woods (2023), a finalist for the National Book Critics Circle Award and the Dublin Literary Award. His work has been translated into 28 languages, awarded a 2021 Guggenheim Fellowship, the Joyce Carol Oates Prize, the California Book Award, the Northern California Book Award, and a Fellowship from the National Endowment for the Arts. The Piano Tuner was produced as an opera by Music Theatre Wales for the Royal Opera House in London, and adapted to the stage by Lifeline Theatre in Chicago. His short stories and essays have appeared in The Atlantic, Harper's, Zoetrope: All Story, Zyzzyva, Narrative, and Lapham's Quarterly, and have been awarded a Pushcart Prize, a National Magazine Award and an O. Henry Prize. An associate professor in the Stanford University Department of Psychiatry, his research and teaching interests include the subjective experience of mental illness and the influence of literature, history, and culture on the practice of medicine.
Miles Krzelewski is a devoted husband, a doting father beloved for his outlandish bedtime stories, and the proud owner of a truffle-hunting dog in a land with no truffles. He is also a bit lost, twelve years late with his PhD on Russian folktales, and increasingly haunted by a sense that he's become a disappointment to his family. So when his wife Kate accepts a visiting professorship at a prestigious college in the far away forests of Vermont, he decides that this will be his year to finally move forward with his life.
But Miles is a man of many enthusiasms, one who possesses, in Kate's words, "a great capacity to fall in with anyone, anywhere." And no sooner does he arrive than he finds himself entangled with a cast of characters as colorful as any of his folktales, from a ghostly tree surgeon to a scythe-mad biochemist, a Shakespearean temptress and a photographer of snowflakes obsessed with chronicling, on thousands of index cards, the world's delusions in a "Inventory of Wrong Ideas."
The new friends, the enchanted woods, the histories: sure, no PhD, but all good fun. Until Miles stumbles upon a bizarre-perhaps ridiculous- local legend, which, he soon suspects, might not be just a legend after all.
Joyous, absurd, and life-affirming, Country People is a luminous exploration of marriage and parenthood, the nature of belief and the power of stories, and the ways in which we find connection in an increasingly fragmented world. Daniel Mason is a physician and author of The Piano Tuner (2002), A Far Country (2007), The Winter Soldier (2018), A Registry of My Passage Upon the Earth (2020)--a finalist for the Pulitzer Prize-- and North Woods (2023), a finalist for the National Book Critics Circle Award and the Dublin Literary Award. His work has been translated into 28 languages, awarded a 2021 Guggenheim Fellowship, the Joyce Carol Oates Prize, the California Book Award, the Northern California Book Award, and a Fellowship from the National Endowment for the Arts. The Piano Tuner was produced as an opera by Music Theatre Wales for the Royal Opera House in London, and adapted to the stage by Lifeline Theatre in Chicago. His short stories and essays have appeared in The Atlantic, Harper's, Zoetrope: All Story, Zyzzyva, Narrative, and Lapham's Quarterly, and have been awarded a Pushcart Prize, a National Magazine Award and an O. Henry Prize. An associate professor in the Stanford University Department of Psychiatry, his research and teaching interests include the subjective experience of mental illness and the influence of literature, history, and culture on the practice of medicine.