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Oral histories of formerly enslaved people and their families along the South Carolina coast.
“Coming Through” marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler as part of the WPA Federal Writers Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit.
A teacher, artist, writer, and later museum curator, Chandler had no formal training as an oral historian or folklorist, yet the sophistication of her work as documented here anticipates developments in these fields of study a generation later. Her detailed descriptions add social context to folktales, and her careful and systematic renderings of the Gullah language have since been praised as foundational work by Creole linguists. Chandler's Gullah-speaking African American informants range in age from the 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who has special access to converse with the people of this traditionally insular world. Moreover, they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it.
“Coming Through” marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler as part of the WPA Federal Writers Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit.
A teacher, artist, writer, and later museum curator, Chandler had no formal training as an oral historian or folklorist, yet the sophistication of her work as documented here anticipates developments in these fields of study a generation later. Her detailed descriptions add social context to folktales, and her careful and systematic renderings of the Gullah language have since been praised as foundational work by Creole linguists. Chandler's Gullah-speaking African American informants range in age from the 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who has special access to converse with the people of this traditionally insular world. Moreover, they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it.