EBOOK

Cockroach

Ho Ka Kei
(0)
Pages
112
Year
2024
Language
English

About

You can call him Cockroach, or Roach for short. He's a catnip-smoking city slicker living in the dark corners of our homes. A bard (yes, that one) longs for rest as he contends with his legacy. In their crosshairs lies a boy, caught in their collision of linguistics, longing, and lobsters (who sometimes burp). A unique exploration of survival and the dynamics of language erosion, cockroach (曱甴) is a coming-of-age play about the stories we tell ourselves to comfort, to persevere, to resist, to overcome, and to be.
• Jeff has been named Associate Artistic Director of Tarragon Theatre, Toronto
• Jeff initially set out writing cockroach to consider how Shakespeare in translation (in a multitude of languages) might sound musically before turning his lens inward to consider the relationship between Shakespeare with his mother tongue, Cantonese.

Jeff likes coffee, cats, theatre, and his husband very much.
• First produced by Tarragon Theatre, Toronto, in September 2022 You can call him Cockroach, or Roach for short. He's a catnip-smoking city slicker living in the dark corners of our homes. A bard (yes, that one) longs for rest as he contends with his legacy. In their crosshairs lies a boy, caught in their collision of linguistics, longing, and lobsters (who sometimes burp). A unique exploration of survival and the dynamics of language erosion, cockroach (曱甴) is a coming-of-age play about the stories we tell ourselves to comfort, to persevere, to resist, to overcome, and to be.
"Shimmering with rich language [and] colourful characters . . . Cockroach delves deep into a deceptively simple story . . . Ho's text, which is dense and layered, [is] peppered with sharp humour and an idiosyncratic style that leaves lines flying off the stage and bouncing between characters." "Ho has found a powerful and disturbing metaphor for xenophobia and intolerance." "Cockroach is a confident, thoughtful and compelling show that will make you think twice about what (or who) we might be crushing under our feet."
"A vibrant, often-funny examination of what it means to be an immigrant, a playwright, and even a human: as far as I'm concerned, it should be mandatory viewing for Toronto audiences, a play unlike any other this year."

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