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About
When the Civil Illumination Authority of an overbuilt American city solicits bids for a lucrative contract, the ensuing competitive efforts of one multinational corporation eventually unleash a morbid act of violence-one that affects a number of lives orbiting each other, including feisty redhead, LaRousse.
A young woman who charges ahead, provokes, and yields to tenderness, LaRousse negotiates the intellectual and physical spaces between her stormy father, Wiry Strength, her activist romantic partner, Vermont Values, and her dopey street-kid chums, Docile and Pockets.
The world of Buildings Without Murders subscribes, in part, to James Lovelock's "Gaia hypothesis," in that the earth is a living organism, and is trying to decipher how it might repair itself. Phenomena abound, including the ghost rockets, GPS pins, jazz holograms, and loose lightning.
En route to turning eighteen, LaRousse encounters the beguiling phenomenon of the God Booth Project, and her trips to this novelty attraction reverse a lifelong assumption in life-changing fashion.
A young woman who charges ahead, provokes, and yields to tenderness, LaRousse negotiates the intellectual and physical spaces between her stormy father, Wiry Strength, her activist romantic partner, Vermont Values, and her dopey street-kid chums, Docile and Pockets.
The world of Buildings Without Murders subscribes, in part, to James Lovelock's "Gaia hypothesis," in that the earth is a living organism, and is trying to decipher how it might repair itself. Phenomena abound, including the ghost rockets, GPS pins, jazz holograms, and loose lightning.
En route to turning eighteen, LaRousse encounters the beguiling phenomenon of the God Booth Project, and her trips to this novelty attraction reverse a lifelong assumption in life-changing fashion.