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Behold the Land

EBOOK

Behold the Land

The Black Arts Movement in the South

James SmethurstSeries: John Hope Franklin Series in African American History and Culture

(0)

Pages

244

Year

2021

Language

English

The University of North Carolina Press

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About

In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s. Traveling across the South, he chronicles the movement's radical roots, its ties to interracial civil rights organizations on the Gulf Coast, and how it thrived on college campuses and in southern cities. He traces the movement's growing political power as well as its disruptive use of literature and performance to advance Black civil rights.

Though recognition of its influence has waned, the Black Arts movement's legacy in the South endures through many of its initiatives and constituencies. Ultimately, Smethurst argues that the movement's southern strain was perhaps the most consequential, successfully reaching the grassroots and leaving a tangible, local legacy unmatched anywhere else in the United States.

Related Subjects

African American & Black (Literary Collections)
Literary Collections
Adult Nonfiction
African American & Black (Art)
Art
African American & Black Studies
Cultural & Ethnic Studies
Social Science
South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV)
State & Local
United States
History

Extended Details

SeriesJohn Hope Franklin Series in African American History and Culture

Artists

James SmethurstAuthor