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Too many of our convictions about the fifty-four nations of Africa come from non-African sources. Western media often treat the continent as a simulacrum of Western anxieties. In contrast, Jeremy Harding focuses on specific historical episodes and cultural practices - cinema, art, ethnography and journalism - to steer us away from treacherous generalisations.
Analogue Africa celebrates the ingenuity with which African artists - and a handful of Europeans - have reimagined the colonial encounter and voiced their impatience with white minority rule. Among his illustrious cast of filmmakers, photographers, writers and painters are Seydou Ke�ta, Sanl� Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina. Harding argues that Western museums with priceless African holdings - the British Museum, the Mus�e du Quai Branly, the Royal Museum of Central Africa in Belgium - are now the sites of a struggle over the colonial past, adding the latest chapter to an unfinished history.
Analogue Africa celebrates the ingenuity with which African artists - and a handful of Europeans - have reimagined the colonial encounter and voiced their impatience with white minority rule. Among his illustrious cast of filmmakers, photographers, writers and painters are Seydou Ke�ta, Sanl� Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina. Harding argues that Western museums with priceless African holdings - the British Museum, the Mus�e du Quai Branly, the Royal Museum of Central Africa in Belgium - are now the sites of a struggle over the colonial past, adding the latest chapter to an unfinished history.