EBOOK

After Montaigne

Contemporary Essayists Cover the Essays

Various Authors
1
(1)
Pages
272
Year
2015
Language
English

About

Writers of the modern essay can trace their chosen genre all the way back to Michel de Montaigne (1533-92). But save for the recent notable best seller How to Live: A Life of Montaigne by Sarah Bakewell, Montaigne is largely ignored. After Montaigne-a collection of twenty-four new personal essays intended as tribute-aims to correct this collective lapse of memory and introduce modern readers and writers to their stylistic forebear.
Though it's been over four hundred years since he began writing his essays, Montaigne's writing is still fresh, and his use of the form as a means of self-exploration in the world around him reads as innovative-even by modern standards. He is, simply put, the writer to whom all essayists are indebted. Each contributor has chosen one of Montaigne's 107 essays and has written his/her own essay of the same title and on the same theme, using a quote from Montaigne's essay as an epigraph. The overall effect is akin to a covers album, with each writer offering his or her own interpretation and stylistic verve to Montaigne's themes in ways that both reinforce and challenge the French writer's prose, ideas, and forms. Featuring a who's who of contemporary essayists, After Montaigne offers a startling engagement with Montaigne and the essay form while also pointing the way to the genre's potential new directions.

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Reviews

"Though Montaigne wrote more than 400 years ago, he feels ageless to these writers, who celebrate his 'drily mellifluous voice,' discursive style, and relentless curiosity. With flair, wit, and imagination, these writers embrace and often challenge their mentor, with results that will inspire readers to also seek out the originals."
Publishers Weekly
"Imagine the dinner party: not just Montaigne but many Montaignes, resurrected in these brilliant essays by twenty-eight of today's most inventive writers. The table is crowded, enlivened by the paradoxical warmth of Montaigne's detachment and by the parry and thrust of ideas, often tantamount to a kind of quiet eros. It's a dinner full of random appetites, the kind of party we leave knowing ourse
Barbara Hurd, author of Listening to the Savage: River Notes and Half-Heard Melodies
"The breadth of coverage, whether calculated by the women studied, methodological approaches, chronological eras, or discipline, is remarkable."
P. J. Kurtz, Choice

Artists