AUDIOBOOK
About
**Winner of the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award**
The definitive history of nuclear weapons-from the turn-of-the-century discovery of nuclear energy to J. Robert Oppenheimer and the Manhattan Project-this epic work details the science, the people, and the sociopolitical realities that led to the development of the atomic bomb.
This sweeping account begins in the 19th century, with the discovery of nuclear fission, and continues to World War Two and the Americans' race to beat Hitler's Nazis. That competition launched the Manhattan Project and the nearly overnight construction of a vast military-industrial complex that culminated in the fateful dropping of the first bombs on Hiroshima and Nagasaki.
Reading like a character-driven suspense novel, the book introduces the players in this saga of physics, politics, and human psychology-from FDR and Einstein to the visionary scientists who pioneered quantum theory and the application of thermonuclear fission, including Planck, Szilard, Bohr, Oppenheimer, Fermi, Teller, Meitner, von Neumann, and Lawrence.
From nuclear power's earliest foreshadowing in the work of H.G. Wells to the bright glare of Trinity at Alamogordo and the arms race of the Cold War, this dread invention forever changed the course of human history, and The Making of The Atomic Bomb provides a panoramic backdrop for that story.
Richard Rhodes's ability to craft compelling biographical portraits is matched only by his rigorous scholarship. Told in rich human, political, and scientific detail that any reader can follow, The Making of the Atomic Bomb is a thought-provoking and masterful work. Richard Rhodes is the author of numerous books and the winner of the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award. He graduated from Yale University and has received fellowships from the Ford Foundation, the National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation, and the Alfred P. Sloan Foundation. Appearing as host and correspondent for documentaries on public television's Frontline and American Experience series, he has also been a visiting scholar at Harvard and MIT and is an affiliate of the Center for International Security and Cooperation at Stanford University. Visit his website RichardRhodes.com. Chapter 1
Moonshine
In London, where Southampton Row passes Russell Square, across from the British Museum in Bloomsbury, Leo Szilard waited irritably one gray Depression morning for the stoplight to change. A trace of rain had fallen during the night; Tuesday, September 12, 1933, dawned cool, humid and dull. Drizzling rain would begin again in early afternoon. When Szilard told the story later he never mentioned his destination that morning. He may have had none; he often walked to think. In any case another destination intervened. The stoplight changed to green. Szilard stepped off the curb. As he crossed the street time cracked open before him and he saw a way to the future, death into the world and all our woe, the shape of things to come.
Leo Szilard, the Hungarian theoretical physicist, born of Jewish heritage in Budapest on February 11, 1898, was thirty-five years old in 1933. At five feet, six inches he was not tall even for the day. Nor was he yet the "short fat man," round-faced and potbellied, "his eyes shining with intelligence and wit" and "as generous with his ideas as a Maori chief with his wives," that the French biologist Jacques Monod met in a later year. Midway between trim youth and portly middle age, Szilard had thick, curly, dark hair and an animated face with full lips, flat cheekbones and dark brown eyes. In photographs he still chose to look soulful. He had reason. His deepest ambition, more profound even than his commitment to science, was somehow to save the world.
The Shape of Things to Come was H. G. Wells' new novel, just published, reviewed w
The definitive history of nuclear weapons-from the turn-of-the-century discovery of nuclear energy to J. Robert Oppenheimer and the Manhattan Project-this epic work details the science, the people, and the sociopolitical realities that led to the development of the atomic bomb.
This sweeping account begins in the 19th century, with the discovery of nuclear fission, and continues to World War Two and the Americans' race to beat Hitler's Nazis. That competition launched the Manhattan Project and the nearly overnight construction of a vast military-industrial complex that culminated in the fateful dropping of the first bombs on Hiroshima and Nagasaki.
Reading like a character-driven suspense novel, the book introduces the players in this saga of physics, politics, and human psychology-from FDR and Einstein to the visionary scientists who pioneered quantum theory and the application of thermonuclear fission, including Planck, Szilard, Bohr, Oppenheimer, Fermi, Teller, Meitner, von Neumann, and Lawrence.
From nuclear power's earliest foreshadowing in the work of H.G. Wells to the bright glare of Trinity at Alamogordo and the arms race of the Cold War, this dread invention forever changed the course of human history, and The Making of The Atomic Bomb provides a panoramic backdrop for that story.
Richard Rhodes's ability to craft compelling biographical portraits is matched only by his rigorous scholarship. Told in rich human, political, and scientific detail that any reader can follow, The Making of the Atomic Bomb is a thought-provoking and masterful work. Richard Rhodes is the author of numerous books and the winner of the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award. He graduated from Yale University and has received fellowships from the Ford Foundation, the National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation, and the Alfred P. Sloan Foundation. Appearing as host and correspondent for documentaries on public television's Frontline and American Experience series, he has also been a visiting scholar at Harvard and MIT and is an affiliate of the Center for International Security and Cooperation at Stanford University. Visit his website RichardRhodes.com. Chapter 1
Moonshine
In London, where Southampton Row passes Russell Square, across from the British Museum in Bloomsbury, Leo Szilard waited irritably one gray Depression morning for the stoplight to change. A trace of rain had fallen during the night; Tuesday, September 12, 1933, dawned cool, humid and dull. Drizzling rain would begin again in early afternoon. When Szilard told the story later he never mentioned his destination that morning. He may have had none; he often walked to think. In any case another destination intervened. The stoplight changed to green. Szilard stepped off the curb. As he crossed the street time cracked open before him and he saw a way to the future, death into the world and all our woe, the shape of things to come.
Leo Szilard, the Hungarian theoretical physicist, born of Jewish heritage in Budapest on February 11, 1898, was thirty-five years old in 1933. At five feet, six inches he was not tall even for the day. Nor was he yet the "short fat man," round-faced and potbellied, "his eyes shining with intelligence and wit" and "as generous with his ideas as a Maori chief with his wives," that the French biologist Jacques Monod met in a later year. Midway between trim youth and portly middle age, Szilard had thick, curly, dark hair and an animated face with full lips, flat cheekbones and dark brown eyes. In photographs he still chose to look soulful. He had reason. His deepest ambition, more profound even than his commitment to science, was somehow to save the world.
The Shape of Things to Come was H. G. Wells' new novel, just published, reviewed w