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New York Times 100 Notable Books of 2018 • Amazon Editors' Top 100 of 2018
Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power.
A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax.
In this conclusion to her groundbreaking trilogy, Cusk unflinchingly explores the nature of family and art, justice and love, and the ultimate value of suffering. She is without question one of our most important living writers. Rachel Cusk is the author of Outline, Transit, the memoirs A Life's Work, The Last Supper, and Aftermath, and several other novels: Saving Agnes, winner of the Whitbread First Novel Award; The Temporary; The Country Life, which won a Somerset Maugham Award; The Lucky Ones; In the Fold; Arlington Park; and The Bradshaw Variations. She was chosen as one of Granta's 2003 Best of Young British Novelists. She lives in London.
Named a Best Book of the Year by The New York Times, The New Yorker, Vulture (New York), Bustle, Buzzfeed News, Flavorwire, The Guardian, Financial Times, the Times Literary Supplement, and The New Statesman
"Precise and haunting . . . Unforgettable." -Jenny Offill, The New York Times
"[Cusk] has achieved something both radical and beautiful . . . [Kudos is] a book about failure that is not, in itself, a failure. In fact, it is a breathtaking success." -Katy Waldman, The New Yorker
"Kudos achieves a kind of formal perfection. Rarely does a single word of its exceptionally polished prose seem out of place . . . Cusk has triumphed in the completion of this masterly trilogy." -Sally Rooney, Slate
"[Cusk] has that ability, unique to the great performers in every art form, to hold one rapt from the moment she appears . . . A stark, modern, adamantine new skyscraper on the literary horizon." -Dwight Garner, The New York Times
"This important trilogy, then, through its eloquent polyphony of voices and opinions, arrives at an idea of feminist art in opposition to the confessional mode that has long been in ascendance. Ms. Cusk's tools are ambivalence and elusiveness-or, to rearrange James Joyce's terms of independence: exile, cunning and silence." -Sam Sacks, The Wall Street Journal
"[Kudos] stayed with me long after I had finished it. Composed of a series of conversations, it is captivating and incredibly well written." -Elif Shafak, The Guardian (Best Books of 2018)
"These crystalline and exquisitely elliptical works have helped define the genre of autofiction . . . Coolly detached, narcotically gorgeous . . . Like all great art, this novel consistently eludes us in leaps of grace and daring . . . Modern life has rarely been articulated with such compression and epigrammatic precision. These are texts, finally, to read and revisit, lean, oracular, irreducible." -Dustin Illingworth, Los Angeles Times
"With the release of Kudos, these three novels can now be appreciated-and will surely be looked back on-as one of the literary masterpieces of our time." -Sebastian Smee, The Washington Post
"Every element of the [Outline] novels conveys a strenuous sense of discipline. The effect is of watching an oracle divine fearsome and inscrutable truths from on high, then render them into stories fit for mortals . . . Mesmerizing." -Jordan Larson, The Cut (New York)
"The exhilarating finale of Rachel Cusk's magnificently unclassifiable tril
Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power.
A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax.
In this conclusion to her groundbreaking trilogy, Cusk unflinchingly explores the nature of family and art, justice and love, and the ultimate value of suffering. She is without question one of our most important living writers. Rachel Cusk is the author of Outline, Transit, the memoirs A Life's Work, The Last Supper, and Aftermath, and several other novels: Saving Agnes, winner of the Whitbread First Novel Award; The Temporary; The Country Life, which won a Somerset Maugham Award; The Lucky Ones; In the Fold; Arlington Park; and The Bradshaw Variations. She was chosen as one of Granta's 2003 Best of Young British Novelists. She lives in London.
Named a Best Book of the Year by The New York Times, The New Yorker, Vulture (New York), Bustle, Buzzfeed News, Flavorwire, The Guardian, Financial Times, the Times Literary Supplement, and The New Statesman
"Precise and haunting . . . Unforgettable." -Jenny Offill, The New York Times
"[Cusk] has achieved something both radical and beautiful . . . [Kudos is] a book about failure that is not, in itself, a failure. In fact, it is a breathtaking success." -Katy Waldman, The New Yorker
"Kudos achieves a kind of formal perfection. Rarely does a single word of its exceptionally polished prose seem out of place . . . Cusk has triumphed in the completion of this masterly trilogy." -Sally Rooney, Slate
"[Cusk] has that ability, unique to the great performers in every art form, to hold one rapt from the moment she appears . . . A stark, modern, adamantine new skyscraper on the literary horizon." -Dwight Garner, The New York Times
"This important trilogy, then, through its eloquent polyphony of voices and opinions, arrives at an idea of feminist art in opposition to the confessional mode that has long been in ascendance. Ms. Cusk's tools are ambivalence and elusiveness-or, to rearrange James Joyce's terms of independence: exile, cunning and silence." -Sam Sacks, The Wall Street Journal
"[Kudos] stayed with me long after I had finished it. Composed of a series of conversations, it is captivating and incredibly well written." -Elif Shafak, The Guardian (Best Books of 2018)
"These crystalline and exquisitely elliptical works have helped define the genre of autofiction . . . Coolly detached, narcotically gorgeous . . . Like all great art, this novel consistently eludes us in leaps of grace and daring . . . Modern life has rarely been articulated with such compression and epigrammatic precision. These are texts, finally, to read and revisit, lean, oracular, irreducible." -Dustin Illingworth, Los Angeles Times
"With the release of Kudos, these three novels can now be appreciated-and will surely be looked back on-as one of the literary masterpieces of our time." -Sebastian Smee, The Washington Post
"Every element of the [Outline] novels conveys a strenuous sense of discipline. The effect is of watching an oracle divine fearsome and inscrutable truths from on high, then render them into stories fit for mortals . . . Mesmerizing." -Jordan Larson, The Cut (New York)
"The exhilarating finale of Rachel Cusk's magnificently unclassifiable tril
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- SeriesOutline Trilogy #3