This "vivid portrait of a seedy, edgy, artsy, and seething New York City that will never exist again" (Elizabeth Gilbert, New York Times bestselling author)-the glittering, decadent downtown club scene of the 1980s-follows a smart, vulnerable young woman as she takes a deep dive into her dark side. Essential reading for fans of Sweetbitter, Fleabag, and books by Patti Smith.
New York, 1984: Twenty-two-year-old Phoebe Hayes is a young woman in search of excitement and adventure. But the recent death of her father has so devastated her that her mother wants her to remain home in Baltimore to recover. Phoebe wants to return to New York, not only to chase the glamorous life she so desperately craves but also to confront Ivan, the older man who wronged her.
With her best friend Carmen, she escapes to the East Village, disappearing into an underworld haunted by artists, It Girls, and lost souls trying to party their pain away. Carmen juggles her junkie-poet boyfriend and a sexy painter while, as Astrid the Star Girl, Phoebe tells fortunes in a nightclub and plots her revenge on Ivan. When the intoxicating brew of sex, drugs, and self-destruction leads Phoebe to betray her friend, Carmen disappears, and Phoebe begins an unstoppable descent into darkness.
"A new wave coming-of-age story, Astrid Sees All is a blast from the past" (Stewart O'Nan, author of The Speed Queen) about female friendship, sex, romance, and what it's like to be a young woman searching for an identity. Natalie Standiford was born and raised in Baltimore, Maryland, and studied Russian language and literature at Brown University and in the former Soviet Union. She has written many books for children and teens, including How to Say Goodbye in Robot, The Secret Tree, and Confessions of the Sullivan Sisters. Her book reviews and essays have appeared in The New York Times, The Washington Post, and the Los Angeles Review of Books. She lives with her husband in New York City, where she occasionally plays bass in rock bands with other restless writers. Find out more at NatalieStandiford.com.
"In a youthful timbre and hesitant tone, [Emily Tremaine] captures Phoebe's struggles with identity and self-reliance. Phoebe is deeply invested in her relationship with her friend, Carmen, whose social ease Phoebe aspires to. Most impressive is Tremaine's evocation of the novel's varied settings-Brown University, with its mostly privileged student population, and the East Village club scene, with its drug culture."
