Skip to main content
  • Hoopla logo
  • Browse
  • My Hoopla
  • Log In
Books, videos, and music - all free from your public library!
LoginSign Up

Footer

Hoopla logo, Go to homepage
  • For Patrons
  • For Libraries (opens in new window)
  • For Vendors (opens in new window)
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)

Our Company

  • Our Story
  • Get Hoopla for your Library (opens in new window)
  • Get your content on hoopla (opens in new window)
  • Join our team (opens in new window)
  • Accessibility Statement

Our Content

  • Audiobooks
  • Ebooks
  • Movies
  • Television
  • Comics
  • BingePasses
  • Music
  • The Loop Blog

Help

  • Help Center
  • Submit Feedback
  • Facebook (opens in new window)
  • X (opens in new window)
  • Instagram (opens in new window)
  • YouTube (opens in new window)
  • TikTok (opens in new window)
  • LinkedIn (opens in new window)
  • Download on the App Store (opens in new window)
  • Get it on Google Play (opens in new window)
  • Available at Amazon Appstore (opens in new window)
© 2026 Midwest Tape, LLC. All rights reserved. Privacy Policy | Terms of Use
  1. Navigate Home
  2. Audiobooks
  3. A Chorus of Ears

AUDIOBOOK

A Chorus of Ears

On 'the voice of the poem'

Denise Riley
(0)
sign up
Duration
3h 53m
Year
2026
Language
English
Publisher
Pan Macmillan

About

'Wondrous . . . one of the great poets of our time' – New Statesman

A Chorus of Ears is a series of essays on voice, lyric and the persona of the poet from one of the greatest living English poets. Originally delivered as a lecture series at Trinity College, Cambridge, in A Chorus of Ears Denise Riley meditates upon the emphasis we place upon the persona of the poet, relegating their actual poetry to a second-order importance. Prize culture and the primacy of the poet – as opposed to the poem – transform criticism into a beauty contest, constraining our ability to meet the lyric on its own terms.

What, Riley asks, might be discovered about the purpose of poetry, its originary point within our language and more yet besides, when we liberate it from the persona of the author? In allowing the poem to speak, what might we hear?

'One of the most eloquent thinkers about our life in language' – The Sunday Times Essays on voice, lyric and the persona of the poet from one of the greatest living English poets. Denise Riley is a critically acclaimed writer of both philosophy and poetry. She is currently Professor of the History of Ideas and of Poetry at UEA. Her visiting positions have included A.D. White Professor at Cornell University, Writer in Residence at the Tate Gallery in London, and Visiting Fellow at Birkbeck College in the University of London. She has taught philosophy, art history, poetics, and creative writing. She is the author of Say Something Back, Timed Lived, Without Its Flow and A Chorus of Ears. She lives in London. Her strengths are so varied: notice one quality you admire, and another follows hard behind. Riley is an enormously gifted writer She's one of the best poets around A terrific talent One of the most eloquent thinkers about our life in language She's a poet whose work . . . never fails to convince new readers with its intelligence, wit and emotion Wondrous . . . one of the great poets of our time

Related Subjects

  • Poetry
  • Literary Criticism
  • Adult Nonfiction
  • 21st Century
  • Modern

Artists

Denise RileyAuthor
Denise RileyReader