The Great EMI Recordings - English Songs: Dowland, Purcell, Arne, Parry, Stanford, Walton, Britten

1. 1
   The Firste Booke of Songes, 1597: No. 17, Come Again, Sweet Love doth Now Invite
   2:29
2. 2
   The Third and Fourth Booke of Ayres, 1617: No. 14, Neuer loue vnlesse you can
   1:09
3. 3
   The Third and Fourth Booke of Ayres, 1617: No. 1, Oft have I sigh'd for him that hears me not
   2:36
4. 4
   The Third and Fourth Booke of Ayres, 1617: No. 7, If thou long'st so much to learn
   1:52
5. 5
   The Third and Fourth Booke of Ayres, 1617: No. 25, Fain would I wed a fair young man
   1:18
6. 6
   Sleep, Adam, Sleep and Take Thy Rest, Z. 195
   1:54
7. 7
   Lord, What is Man, Z. 192
   5:41
8. 8
   My lovely Celia: "My lovely Celia, heav'nly fair"
   2:24
9. 9
   Tell me, lovely shepherd (Arr. Poston)
   2:10
10. 10
    Where the Bee Sucks (From Shakespeare's "The Tempest")
    1:51
11. 11
    Ayres and Dialogues, Book III: No. 29, A Dialogue Upon a Kisse. "Among Thy Fancies Tell Me This"
    3:32
12. 12
    A Dialogue between Charon and Philomel: "Charon! O gentle Charon! … What voice so sweet" (Philomel, Charon)
    4:20
13. 13
    A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne)
    1:50
14. 14
    Giù nei Tartari Regni, HWV 187
    7:04
15. 15
    Quando in calma ride il mare, HWV 191
    6:13
16. 16
    Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" (Arr. for Two Voices and Piano)
    1:50
17. 17
    Pausanias, Z. 585: No. 2, Song. "My Dearest, My Fairest" (Arr. for Two Voices and Piano)
    3:04
18. 18
    The Maid's Last Prayer, Z. 601: No. 2, Song. "No, Resistance Is but Vain" (Arr. for Two Voices and Piano)
    7:14
19. 19
    King Arthur, Z. 628, Act 2: Duet. "Shepherd, Shepherd, Leave Decoying" (Perf. by Voices and Piano)
    1:07
20. 20
    English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
    1:31
21. 21
    English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)
    1:47
22. 22
    La Belle dame sans merci: "O what can ail thee, knight-at-arms"
    6:10
23. 23
    Linden Lea
    2:53
24. 24
    3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)
    1:28
25. 25
    Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
    2:20
26. 26
    The Fields Are Full of Summer Still
    1:44
27. 27
    Pretty Ring Time: "It was a lover and his lass"
    1:22
28. 28
    Rest: "On me to rest, my bird my bird"
    2:16
29. 29
    Corpus Christi Carol (From A Boy Was Born, Op. 3)
    2:55
30. 30
    Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)
    2:45
31. 31
    5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)
    3:38
32. 32
    English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
    1:34
33. 33
    Bushes and Briars (Voice and Piano Version)
    2:55
34. 34
    5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)
    2:37
35. 35
    Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
    2:16
36. 36
    Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)
    2:25
37. 37
    5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)
    2:00
38. 38
    Gavotte
    3:18
39. 39
    Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lass
    2:52
40. 40
    Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)
    2:56
41. 41
    Spring Symphony, Op. 44, Pt. 2: VIII. Out on the Lawn I Lie in Bed
    6:30
42. 42
    Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)
    1:45
43. 43
    Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)
    2:41
44. 44
    Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)
    4:24

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