Ponselle, Rosa: American Recordings (1939, 1954)

1. 1
   Si tu le voulais
   2:53
2. 2
   A l'aime
   3:50
3. 3
   4 Songs, Op. 2: No. 2, The Nightingale and the Rose (Vostochniy romans: Plenivshis' rozoy, solovey)
   3:51
4. 4
   When I have sung my songs
   2:03
5. 5
   When I have sung my songs (Unpublished take)
   2:19
6. 6
   Ellens Gesang III, Op. 52 No. 6, D. 839 "Ave Maria" (Hymne an die Jungfrau): Ellens Gesang III [Ave Maria!], Op. 56, No. 6, D. 839, "Hymne an die Jungfrau"
   5:13
7. 7
   On Wings of Dreams
   3:41
8. 8
   Ellens Gesang III, Op. 52 No. 6, D. 839 "Ave Maria" (Hymne an die Jungfrau): Ellens Gesang III [Ave Maria!], Op. 56, No. 6, D. 839, "Hymne an die Jungfrau"
   5:12
9. 9
   Plaisir d'amour
   4:00
10. 10
    Jeune fillette (Arr. J.B. Weckerlin)
    1:41
11. 11
    Beau soir
    2:34
12. 12
    Bonjour, Suzon!
    2:48
13. 13
    3 Chansons de Bilitis: No. 2, La chevelure
    3:32
14. 14
    Carmela, "Carmen, Carmela" (Arr. G. Ross)
    2:24
15. 15
    Tonadillas al estilo antiguo: 15 No. 8, El mirar de la maja
    3:21
16. 16
    La Partida
    4:11
17. 17
    L'amor contrastato, "La molinara", Act III: Nel cor più non mi sento
    1:51
18. 18
    Star vicino
    1:48
19. 19
    A vucchella, "Arietta di Posillipo"
    2:04
20. 20
    Ideale (Version for voice and piano)
    3:43
21. 21
    Marechiare
    2:57
22. 22
    Fa la nana, bambin'
    2:48
23. 23
    Dicitencello vuie
    3:19
24. 24
    Could I
    4:58
25. 25
    Amadis, Act II: Bois epais
    3:16
26. 26
    Rosemonde
    3:30
27. 27
    Guitares et mandolines
    1:37
28. 28
    Poème de l'amour et de la mer (Poem of Love and of the Sea), Op. 19 [version for voice and piano]: Le temps des lilas
    4:57
29. 29
    4 Gesänge, Op. 43: No. 1, Von ewiger Liebe
    5:10
30. 30
    Schichte Weisen, Op. 4, No. 5. Mir traumte von einem Konigskind: Schichte Weisen, Op. 4: No. 5, Mir traumte von einem Konigskind
    3:11
31. 31
    Erlkönig, Op. 1, D. 328: Erlkonig, Op. 1, D. 328
    4:04
32. 32
    In questa tomba oscura, WoO 133
    3:26
33. 33
    4 Rispetti, Op. 12: No. 1, Quando ti vidi a quel canto apparire
    1:09
34. 34
    36 Arie di Stile Antico, Vol. II: O del mio amato ben
    4:36
35. 35
    Aprile (Version for voice and piano)
    2:57
36. 36
    Amuri, Amuri
    4:23
37. 37
    I battitori di grano
    1:16
38. 38
    Drink to me only with thine eyes
    3:00
39. 39
    The Night Wind
    1:39
40. 40
    Homing
    2:36
41. 41
    Interview with Rosa Ponselle by Ruby Mercer: Introduction and announcement of Lully's Bois epais
    1:24
42. 42
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Persico's Rosemonde
    0:53
43. 43
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Saint-Saens's Guitares et mandolines
    0:54
44. 44
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Brahms's Von ewiger Liebe
    1:09
45. 45
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Trunk's Mir traumte von einem Konigskind
    0:43
46. 46
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Schubert's Erlkonig
    1:41
47. 47
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Beethoven's In questa tomba oscura
    1:03
48. 48
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Wolf-Ferrari's Quando ti vidi a quel canto apparire
    0:32
49. 49
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Donaudy's O del mio amato ben
    0:52
50. 50
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Tosti's Aprile
    1:06
51. 51
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Sadero's Amuri, amuri
    0:49
52. 52
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Sadero's I battitori di grano
    0:32
53. 53
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Drink to me only with thine eyes
    0:58
54. 54
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Farley's the Night Wind
    0:50
55. 55
    Interview with Rosa Ponselle by Ruby Mercer: Comments on Riego's Homing and concluding remarks
    1:50
56. 56
    Le nozze di Figaro, K. 492, Act II: Voi che sapete
    2:49
57. 57
    Gli tre cicisbei ridicoli: Tre giorni son che Nina
    2:39
58. 58
    An die Musik, Op. 88 No. 4, D. 547: An die Musik, Op. 88, No. 4, D. 547
    3:06
59. 59
    Der Tod und das Mädchen, Op. 7 No. 3 D. 531: Der Tod und das Madchen, Op. 7, No. 3, D. 531
    2:53
60. 60
    5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": 5 Gedichte für eine Frauenstimme, Op. 91, "Wesendonck Lieder": No. 5, Traume (Arr. F. Mottl for voice and orchestra)
    5:07
61. 61
    4 Lieder, Op. 27 TrV 170: 4 Lieder, Op. 27, TrV 170: No. 4, Morgen
    4:05
62. 62
    6 Romances, Op. 6 (text by L.A. Mey): 6 Romances, Op. 6: No. 6, Nur wer die Sehnsucht kennt [None but the Lonely Heart]
    3:26
63. 63
    L'Invitation au voyage (Version for voice and piano)
    4:30
64. 64
    Psyche
    3:15
65. 65
    Tristesse eternelle (Arr. Of Chopin's Etude No. 3 in E Major, Op. 10, No. 3)
    3:28
66. 66
    7 Canciones populares españolas: No. 3, Asturiana
    2:58
67. 67
    7 Canciones populares españolas: No. 5, Nana
    1:48
68. 68
    My Lovely Celia
    2:25
69. 69
    Sketches of Paris: No. 4, In the Luxembourg Gardens
    2:23
70. 70
    Agnus Dei
    3:16
71. 71
    Ave Maria
    4:23
72. 72
    Ave Maria
    5:57
73. 73
    Ave Maria
    4:32
74. 74
    Ave Maria
    3:40
75. 75
    Se
    4:32
76. 76
    Colombetta, "Serenata veneziana"
    3:32

Naxos